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in Kontakt, go to options, advanced tab and turn the buffers to minimum. Slide the fader all the way to the left on both of them. I was having the same problem with Les Paul Custom performance preset. Works fine now that I lowered the buffers. This is a global setting and will not need to be touched...

it would be nice to see the streching made as simple as the pitch automation in DP. Simply create a region and drad the ends where you want them like in celemony.

maybe recording from varying sources such as tape and different converters yeilds varying textures as well. Everything doesn't sound so sonically similar. Didn't he have a Radar in the chain. I think the Radar with Nyquest is the goto tape to DAW machine for the guys with some time and money. Then i...

i do like it here. Been here since 2002. Just was gone a while. I am bit serious at the moment as I am in incompatabilty limbo. I have been using logic and PT but have always kept an eye on DP. I bought 4 a while back only to find it didn't supprt PT. so I went to logic and the use of TDM and AU is ...

Geez. All I said was that collaborating with Apple Loops would be unexciting. And it just a passing joke. I need to post a resume to qualify myself? By the way, there's a link to my music services included in every post I make. Check my signature below. You'll see that I'm neither big time nor smal...

may not be excited for you, but loops are an esential part of todays film music, and music in general. They provide textures for well written sequences. Oh, dunno, something tells me that chrispick does alright w/o Apple Loops . . . :wink: At anyrate, good luck w your collaborations -- hope you get...

may not be excited for you, but loops are an esential part of todays film music, and music in general. They provide textures for well written sequences. Oh, dunno, something tells me that chrispick does alright w/o Apple Loops . . . :wink: At anyrate, good luck w your collaborations -- hope you get...

may not be excited for you, but loops are an esential part of todays film music, and music in general. They provide textures for well written sequences. Oh, dunno, something tells me that chrispick does alright w/o Apple Loops . . . :wink: At anyrate, good luck w your collaborations -- hope you get...

But today, at any rate, maybe your best bet is to work in Logic if you need to collaborate w other Logic users. Not an exciting prospect, I know . . . Well, it's as exciting as collaborating with Apple Loops. may not be excited for you, but loops are an esential part of todays film music, and music...

ng62gn wrote:Hi,

You could use USB Plugsound Pro VI & sampler to play Apple Loops in DP and to have realtime sync to the beat.

Some extra hit on the cpu, but that would work.

Just started using apple loops in DP. They import and when dragged to a track lock up on the beat. Is it actually creating a new file on the disk. Itlooks like it is. This a major problem. In colaborating with others via the net in logic, if your sounds drive are the same , all you do is e-mail the ...

you really should utlize the cardbus with a firmtek sata card and connect a 150gb western digital 10,000 rpm raptor in an external case. oh, only the macbook pro have the cardport. go lacie firewire, but if your 929 is sharing the firewire bus wih disk streaming expect a bottle neck. this is why mac...

Prominy Les Paul Custom loaded to Kontak2 going through IK Media Amplitube. Also, I use the garage band bass presets in kontakt playing through IK media Ampeg. very authentic and versitle set up.

thanks. Seems like a goofy way to do it. Every other daw on the planets lets you work in blocks.

how do you get DP to record entire measures and not just when it recieved notes. I want the MIDI clips to be locked to the measure so I can copy and past them. Right now when I record MIDI they are broken and the clip is only where the MIDI is recieved.