I got mine here: http://nuclearpixel.com/blog/view/2010- ... _osx_10.5/
Then you put it here: Library/Audio/Plug-ins/MOTU Audio Export
You can thank me later!

Moderator: James Steele
hammerman wrote:Man, I wasted an hour trying to find this. For DP 8 you need a different form of LAME and in a different place. You need to get 3.98 or greater and in this form: "libmp3lame.dylib"
I got mine here: http://nuclearpixel.com/blog/view/2010- ... _osx_10.5/
Then you put it here: Library/Audio/Plug-ins/MOTU Audio Export
You can thank me later!
well, for me, if I've got 20 files/mixes which need to be exported, it's a hell of a lot easier just exporting from DP than dragging into itunes, converting, then trying to find the bloody files in itunes and then export them all!toodamnhip wrote:I seem to recall trying to make mp3’s in DP years ago using LAME and the mp3s kind of sucked.
They at least took Waaay longer to make and had occasional drop out, artifacts etc.This got me into many discussions on the forum about ways to change setting etc, a real pain.
Then I went to i tunes and it was fantastic. Fast, flawless, almost an industry standard.
When I see folks bothering to use DP and LAME I am truly curious as to WHY?
Is it better now?
I’d love info on this.
Thanks
First off, I use Audio Hijack Pro to capture my Mp3 mixes from DP. A great tool. It is much much easier to just engage the record button of Audio Hijack Pro and have it capture everything without futzing around with DP settings. It's an inexpensive product and the upgrades are free forever: http://rogueamoeba.com/audiohijackpro/toodamnhip wrote:I seem to recall trying to make mp3’s in DP years ago using LAME and the mp3s kind of sucked.
They at least took Waaay longer to make and had occasional drop out, artifacts etc.This got me into many discussions on the forum about ways to change setting etc, a real pain.
Then I went to i tunes and it was fantastic. Fast, flawless, almost an industry standard.
When I see folks bothering to use DP and LAME I am truly curious as to WHY?
Is it better now?
I’d love info on this.
Thanks
I have AHP as well, but what's so difficult about hitting the bounce button in DP and saving to MP3? If you have routing issues or freezing a lot of VI's is problematic, I can see AHP as a solution, but that happens in realtime with AHP. Bouncing in DP happens in virtual time and can be an immense time saver when you are sending cues or other stuff out to clients for review. A 45 minute soundtrack will take AHP 45 minutes to capture. DP will export than in probably under 5 minutes - more likely less on a faster machine.zed wrote: I use Audio Hijack Pro to capture my Mp3 mixes from DP. A great tool. It is much much easier to just engage the record button of Audio Hijack Pro and have it capture everything without futzing around with DP settings.