You mean such as film composers and the like?Timeline wrote:I have to admit for composing DP is better but I'm really tired of not being listened to. PCM, your right on the money here. How would they have even thought up those workflow ideas had it not come from pro users in the studios. I think MOTU is taking there tips not from us but from non studio experienced musicians who don't get how important these things are to us.
Heavyweights who've not cut their teeth behind a console, eh?
That'd make sense.
I get the feeling though that MagicDave at least has some old-school knowhow here.

I actually assumed this was how it worked, 'till I tried it.Timeline wrote:Back to an idea I have wished for from the SSL days in automation, "Update to end" of a mix. Any hard write or trim or mute can automatically update immediately at a level being written at any moment to the end of a mix.
I asked for this feature and a special button over 8 years ago. Not a word or reply. The features mentioned by PCM are but a few as he said but DP will apparently never have it.
It would be the logical way to implement it, IMHO.
Hang in there Gary - I reckon we'll get it some day.
