Great stuff... performance, musicianship, writing. They just sounded wonderful!chamelion wrote:Reading through this thread reminded me of the beautifully recorded acoustic guitar work on the early Seals and Crofts albums.
Transient Response
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
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Maybe James would like to confirm this as well - but in my experience - it's the guitarist, not as much the guitar itself.
Whenever I'm recording guitar tracks I remind the guitarist not to attack the strings so hard.
Also depends on the guitar - generally, Strat-type guitars are worse than Les Paul or 335 hollow body style guitars.
Electric guitarists CAN play with their fingers and not picks - you can try that as well, depending on how receptive your guitarist is to that.
You can also try recording WITHOUT compression going in, then add the compression later.
Whenever I'm recording guitar tracks I remind the guitarist not to attack the strings so hard.
Also depends on the guitar - generally, Strat-type guitars are worse than Les Paul or 335 hollow body style guitars.
Electric guitarists CAN play with their fingers and not picks - you can try that as well, depending on how receptive your guitarist is to that.
You can also try recording WITHOUT compression going in, then add the compression later.
- Mr_Clifford
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The pick makes a lot of difference as well. For strummed chords a softer pick can greatly reduce the transient attacks and make it much easier to mix (just remember to change back for the lead solo).David Polich wrote:Maybe James would like to confirm this as well - but in my experience - it's the guitarist, not as much the guitar itself.
Whenever I'm recording guitar tracks I remind the guitarist not to attack the strings so hard.
Also depends on the guitar - generally, Strat-type guitars are worse than Les Paul or 335 hollow body style guitars.
Electric guitarists CAN play with their fingers and not picks - you can try that as well, depending on how receptive your guitarist is to that.
You can also try recording WITHOUT compression going in, then add the compression later.
DP 9.52 Mac Pro 10.14.6 RME fireface800. Sibelius. Dorico 4
- HCMarkus
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You got that right! It's the great and terrible thing about guitars, especially when compared to keys... I've yet to hear a one-note organ, synth or piano solo that comes anywhere close to the emotion exuded by B.B. or Clapton cajoling breathtaking monotonic sounds (that are anything but monotonous) from a stringed axe. This is depressing. I'm gonna' go get hammered. cue piano...David Polich wrote:In my experience - it's the guitarist, not as much the guitar itself.
- monkey man
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- monkey man
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