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Wow, I'm impressed with the rigor with which the author debunked a, then prevalent (1986), practice. It's like a well-written "who-done-it" with the culprit revealed in a surprise ending.
Unfortunately, myriad new myths prevail these days. We need a new generation of audio sleuths with the discipline and analytic wherewithal of Bob Hodas. Kudos! (20 years too late )
Thanks for the link. That really brought back some memories.
I know it's really un-cool to say, but I still love and use a pair of NS-10s every day. Several years ago I began using them with a sub which sorted the non-existent low end and now I find them to be a great reference speaker. I trust them more than any other speaker in my mix room.
sad, isn't it?
Wayne
DP 5.13, Reason 5, Logic 9, Melodyne 3, Live 7, Cubase 4.5, OS 10.5.8 on main desktop, 10.6.3 on laptop. Old analog gear, synths and guitars and heat-belching transformers and tubes.
"As I can best determine, this (tissue paper) phenomenon began on the East Coast with an engineer that was having a string of hits, and who spoke of his NS-10M monitoring technique in a number of different interviews. Other engineers then zeroed in on the technique, hoping that it would give them the secret for producing hits. And so the legend grew."
Last edited by Jim on Sun Mar 19, 2006 7:38 pm, edited 1 time in total.