Well I wont refuse delivery even if I could have with what I know because it's the best thing going for me at the moment for what I need it for.
Most of my gripes are not introduced by DP6, they are long standing work flow issues that I will be sending to Motu in a very detailed and thorough email/white paper discussing usability for high speed productivity. Which will mostly center around film work.
I've just spent the last 7 hours working in DP6. I cannot say that my eyes feel any different than working in DP5 honestly. A little more fatigued than working in logic for this long, but that I knew before.
The blue level meters are DEFINITELY harder to see in the sequence editor relative to the background there (black) and I also notice that some of the meters get stuck sometimes and are not updating. Very odd there.
I can say this, the pain I am feeling at the moment in DP is excruciating. The people who made the video I mastered among other things changed the frame rame from 24fps to 23.976. The problem is that my project was done at 24fps so not only are there last minute edits that are all over the place that I have to shift stuff around, nothing lines up and drifts over time. This problem is not DPs, but it means I am selecting and splitting LOTS of audio tracks moving both automation and regions. This is NOT very easy in DP as there are so many little places on a region to select that a slight movement of the mouse and you just dragged a clip instead.
Also, when you double click on a region of audio, it goes to black and white and looks horrible. Not sure what is up with that!
I think if you use a lot of key commands, this transition will probably be a lot easier. If you are used to clicking on certain things in certain locations, it can be painful as you retrain yourself.
And if someone has a better solution for what I am doing, by all means, teach this dog a new trick!
(What I want is an easy way to select all audio regions and automation points on all tracks from a particular point in time, like from the wiper till the end of the song.)
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