Vocal Mic Recommendations , please? (under $500)
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
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Vocal Mic Recommendations , please? (under $500)
Please know that it is not my intention to start an annoying "What's the best mic?" kind of thread. I'm in the market for a vocal mic, with specific needs and I'm simply interested in hearing recommendations from anyone based on the information which follows.
I've recently decided to take up singing/song writing again after a multi-year hiatus. As I never really thought my voice deserved anything more expesnsive than a Shure SM58, that's the ONLY mic in my collection. I'm seeking to remedy that situation.
My singing style / vocal quality is something along the lines of David Gilmour, John Lennon, early Gary Numan, etc. -- in other words, the kind of voice that NEEDS (and benefits from) a microphone, as opposed to like Freddy Mercury, who I imagine sounded great with or without a mic. I'm definitely not a "chest singer" but rather a "head singer" if you know what I mean....
Anyway, the sound I'm after is warm, personal... with a nice transparent high end. I've noticed that I usually cut the bass and boost the hell out of the treble with my SM58 to get the sound I want... so it would be nice if I could get nice, sweet high end on the way in.
I realize preamps are a huge factor as well, but I'd rather not get into them here, and just focus on mics.
Any recommendations? Thanks.
I've recently decided to take up singing/song writing again after a multi-year hiatus. As I never really thought my voice deserved anything more expesnsive than a Shure SM58, that's the ONLY mic in my collection. I'm seeking to remedy that situation.
My singing style / vocal quality is something along the lines of David Gilmour, John Lennon, early Gary Numan, etc. -- in other words, the kind of voice that NEEDS (and benefits from) a microphone, as opposed to like Freddy Mercury, who I imagine sounded great with or without a mic. I'm definitely not a "chest singer" but rather a "head singer" if you know what I mean....
Anyway, the sound I'm after is warm, personal... with a nice transparent high end. I've noticed that I usually cut the bass and boost the hell out of the treble with my SM58 to get the sound I want... so it would be nice if I could get nice, sweet high end on the way in.
I realize preamps are a huge factor as well, but I'd rather not get into them here, and just focus on mics.
Any recommendations? Thanks.
- daniel.sneed
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T.Bone SCT2000
Low budget but great tone.
Large diaphragm mic, tube with external power supply.
You'll need a popscreen. Almost any studio vocal mic will need that.
Just change the original cheap tube for a better one (a few bucks).
http://www.thomann.de/fr/the_tbone_sct2000.htm
I've got one and am very pleased with it, specially on male vocals.
It's got 9 directivities selectable on power supply box.
I prefer omni when it comes to voice.
Low budget but great tone.
Large diaphragm mic, tube with external power supply.
You'll need a popscreen. Almost any studio vocal mic will need that.
Just change the original cheap tube for a better one (a few bucks).
http://www.thomann.de/fr/the_tbone_sct2000.htm
I've got one and am very pleased with it, specially on male vocals.
It's got 9 directivities selectable on power supply box.
I prefer omni when it comes to voice.
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DP11.34, OS12.7.6, MacBookPro-i7
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Waldorf Iridium & STVC & Blofeld, Kemper Profiler Stage, EWIusb, Mixface
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Many mandolins, banjos, guitars, flutes, melodions, xylos, kalimbas...
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Thanks, guys! I checked out these mics online, read a few professional reviews and it seems you are both spot on as to the sound I am after. All excellent recommendations for my situation. Looks like what I need is a tube mic.
Unfortunately, both the AT 4047/SV and the Rode NTK are quite expensive in Germany, and well over my budget of 350•‚¬ ($500). So far, the t.bone SCT-2000 looks like the most promising candidate at about 300•‚¬.
daniel.sneed, were I to get an SCT-2000, which tube would be better than the stock one? Is it easy to replace? I haven't replaced a tube since my old Princeton Reverb guitar amp days, and that was a LONG time ago!
I welcome any further suggestions. Once again, thanks people!
Unfortunately, both the AT 4047/SV and the Rode NTK are quite expensive in Germany, and well over my budget of 350•‚¬ ($500). So far, the t.bone SCT-2000 looks like the most promising candidate at about 300•‚¬.
daniel.sneed, were I to get an SCT-2000, which tube would be better than the stock one? Is it easy to replace? I haven't replaced a tube since my old Princeton Reverb guitar amp days, and that was a LONG time ago!
I welcome any further suggestions. Once again, thanks people!
- sdemott
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Hearing your description of your "head singing" technique - I would tend to lean toward an SM7b or RE20. They will add a lot of body to your voice. Though they will need a decent preamp capable of at least 60dB of clean gain.
If you are trying to de-emphasize the singing from the head voice sound, I would avoid condenser mics (at least the cheap ones) and opt for a dynamic or ribbon (again not a cheap one).
Both Gilmour & Lennon were reported to have used U67s. Don't know about Numan.
If you are trying to de-emphasize the singing from the head voice sound, I would avoid condenser mics (at least the cheap ones) and opt for a dynamic or ribbon (again not a cheap one).
Both Gilmour & Lennon were reported to have used U67s. Don't know about Numan.
-Steve
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In a weak moment, before I started this thread, I ordered a special 2-mic bundle, the AKG C1000S and the AKG 2000B for 199 euros. Seemed like a really great price. Guess I should probably return those, huh?sdemott wrote:If you are trying to de-emphasize the singing from the head voice sound, I would avoid condenser mics (at least the cheap ones) and opt for a dynamic or ribbon (again not a cheap one).
- sdemott
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See what you think - as long as they're already on the way you might as well try them out first.
I, personally, have never liked the C1000S. I do, however, have a C4000B, which is great on acoustic bass, kick & as a drum room mic. It seems to have a great low-end. I found it "so-so" on vocals..actually preferring an old Rode NT1 (original model) over it for vocals.
I, personally, have never liked the C1000S. I do, however, have a C4000B, which is great on acoustic bass, kick & as a drum room mic. It seems to have a great low-end. I found it "so-so" on vocals..actually preferring an old Rode NT1 (original model) over it for vocals.
-Steve
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I've got two of those. IMHO it's a highly under-rated mic. I think because it's cheap many think it's low end. Not so. I've made some great recordings with those mics.sdemott wrote:..actually preferring an old Rode NT1 (original model) over it for vocals.
Phil
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- sdemott
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I agree - I liked mine so much I went out and bought 2 more right away. At that price, why not. They sound great. I use them alongside some nice mics (like the Neumanns they mimic) and you'd never call them out as cheap or "budget" mics.Phil O wrote:I've got two of those. IMHO it's a highly under-rated mic. I think because it's cheap many think it's low end. Not so. I've made some great recordings with those mics.sdemott wrote:..actually preferring an old Rode NT1 (original model) over it for vocals.
Phil
As far as the NT1a...I've never used one, so I can't comment on them or how similar they are to the original NT1.
I still say, for about $350 you can get a SM7b and you have a great vocal mic (one of my go to vocal mics), plus it has a myriad of other uses. Everyone needs a couple large diaphragm dynamics in their collection...they are so versatile.
-Steve
Not all who wander are lost.
Not all who wander are lost.
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The SM7B is selling for 599 euros at the moment (from my preferred dealer), which unfortunately puts it out of range for me. Still, I'm curious about this mic. From the specs, it's described as a "broadcast mic" ideal for radio, television, etc. So you're saying you think this could be good for the kind of vocals I'm wanting to record as well? I will hunt around and see if I can find a better price. Thanks.
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No... it would seem 599,- EUR is the going price around here for the SM 7 B. That's like 880 USD! Yikes. Maybe I should just wait until the next time I'm in the States to pick up one of these. I wonder why they're so much more expensive over here?
Of course, the 19% (!) sales tax in Germany doesn't help things much. Man, you guys have it good over there when it comes to buying gear.
Of course, the 19% (!) sales tax in Germany doesn't help things much. Man, you guys have it good over there when it comes to buying gear.
- sdemott
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wow! that's insane - you can pick one up stateside for $350.
Yes - it is marketed as a broadcast mic, but it's been used as a vocal mic by everyone from Stephen Stills to Michael Jackson. It's one of those dirty little secrets no one talks about...a $350 SM7b being used where everyone expects a $3,000 U87.
Yes - it is marketed as a broadcast mic, but it's been used as a vocal mic by everyone from Stephen Stills to Michael Jackson. It's one of those dirty little secrets no one talks about...a $350 SM7b being used where everyone expects a $3,000 U87.
-Steve
Not all who wander are lost.
Not all who wander are lost.
- James Steele
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Hmmm... you guys made we want to do a Google search on this mic and I found a price of $318 shipped!
http://tinyurl.com/2zpcme
Wow!
http://tinyurl.com/2zpcme
Wow!
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SM7b is especially popular with loud metal singers (e.g., James Hetfield).sdemott wrote:wow! that's insane - you can pick one up stateside for $350.
Yes - it is marketed as a broadcast mic, but it's been used as a vocal mic by everyone from Stephen Stills to Michael Jackson. It's one of those dirty little secrets no one talks about...a $350 SM7b being used where everyone expects a $3,000 U87.