LOL! It's all the same. "Hobbitville" is more or less my own descriptive term for a way of thinking or a particular frame of mind. Hobbiton is the actual village name. Bag End is the name of the estate/home itself. It' all means nothing more than "this neck of the woods".MIDI Life Crisis wrote:First off, when did you move from Baggend? I didn't get the change of address notice! Isn't Hobbitville a step down? Or are you writing from your summer home?Frodo wrote: In hobbitville, we like the concept of CW-- at least until a ginormous second monitor finds its way to town.

Indeed. I can't think of a time when I'd need to have the SE and GE open at the same time-- they are two very different parts of production to my thinking; two very different mindsets, both very involved. Each needs lots of space just to determine what's going on. If I'm doing MIDI, I'll want the TO open for easy viewing (ie: "overview"), but I'll use the GE mostly with some secondary work in QS where manipulating notes in non-consecutive tracks for orchestral scores is essential. If I'm editing audio, I put all MIDI out of my mind because audio editing gets so mentally intensive.MIDI Life Crisis wrote: Second, I believe you provided the answer I would give. If you... I mean with 2 monitors, consolidated windows seems irksome and limited. I prefer separate windows and I guess that's a personal decision. But I also don't think of the various aspects of music creation in the same way. Editing a soundbite to me is a technical aspect and editing actual notes another. My little brain wants to separate those and other procedures into neat little boxes. Their own little boxes, and con/windows makes me shift my brain too much. I get a better "mind shift" if the 'look' of the various windows changes. My brain says: Oh, you want to edit MIDI? Well, don 't think about audio. Con/Windows seems to say: Oh, you want to edit MIDI? Well don't forget you got some soundbites over here fella!
Also, con/windows do not allow you to set user tabs as to what the window choices will be across the top of the window. I will never use song editor and almost never use quickscribe, yet those tabs are immutable. If I could determine what will appear there, I'd give c/w a more serious look. Until then, I'm on 2 monitors.
I will say this: using CW in DP is a lot easier than using it in Logic. There are so many plugins and VIs that are designed to sit on top of the DAW window that doing anything smoothly is impossible without two monitors or without opening-closing/docking-undocking windows tediously. At least in DP many plugins will jump to the rear of the window stack, but for those that don't the longing for a second monitor prevails.
As for what size that second monitor should be-- hmm. I'm going to have to give that some serious thought. I could probably get away with a second Apple Cinema 23" for some types of projects in some apps like DP. But for Logic and Finale a 30" monitor (or a pair of them) would be sweet, even if financially impractical right now.
Still, I'm surprised at how much work I'm actually getting done with one monitor. The sheer amount of work itself is what's fueling a reassessment of workflow right now. One thing I find tricky with CW is the need for more *vertical* space. Again, resizing these windows is easy enough, but I've found the repetitive process of resizing each of the windows within the consolidated format mentally distracting and time consuming at critical moments. That alone is a vote for Window Sets with instant key strokes as opposed to multiple mouse dragging of window frames each time one wants a peek at some elusive parameter.
I don't know that I'd do more work if I could further streamline my workflow. I don't think I'd *want* to do more work, to be honest. I just knocked off 11 scores in the past 5 weeks, more than 60 orchestral scores (and a dozen or so other types of projects) within the past year. What I would like to see is the investment in a large second monitor or a pair of ginormous monitors result in more free time before the end of each day.