stubbsonic wrote:
YouTube removes them as the original artists aren't usually very happy about it. (understandably).
No kidding! You got me curious about him (sounds hilarious). I looked in YouTube and found nothing.
cuttime wrote:It's Romantics in general. I think it must be my character flaw. I can dig Brahms just fine, but something like Schumann makes me want to scream. Schubert can be magical, but I consider him more of a late Classical composer.
You're not alone. I know some great musicians who are no fans of lots of Romantic masters. I personally
love this period.
So you like Schubert... Me too. I'm all over his Impromptus
How about some Schubert, arranged by Liszt,
with Yuja's magic? This is just gorgeous!
https://youtu.be/ozCirLYxSBI?t=18
And in true Romantic spirit, a display of ferocious super-human technique - yet with lots of lyricism - could not be missing... (you can clearly distinguish the 3 characters of the story) Who else but
Yuja Wang?
Her dynamic range (and clarity and control) is just ridiculous...
it's like 128 bits floating point!!!
https://youtu.be/4_BmRekeJ8A?t=8
cuttime wrote:
I'm 100% there with Prokofiev and Shostakovich, but I still think J.S. Bach is on a mountain top that will never be scaled by anyone else. Beethoven had him in his site, for sure.
Agreed. Bach is truly sui generis.
The intellect takes delight with masterful mingling of simultaneous multiple melodies, be they imitative or not.
There's something about great counterpoint that is irresistibly beautiful and intelectual at the same time. It sounds like you would also love the Renaissance masters like Palestrina, yes?
I love this performance by the incomparable
Buniatishvili sisters. Had they taken this arrangement of Bach's 2 Violin concerto 10-15 BPM slower, it would've been even better, IMHO (so one could digest the myriads of details better). Even then, it's just jaw-dropping great
(I looked for the original 2 Violin concerto work, but didn't find any performance I liked... The Oistrakh's duo was disappointing 
)
https://youtu.be/864PsEtZzko?t=25
cuttime wrote:
I do agree that Mozart can be annoyingly trite. It frequently seems that he was just trying too hard to be liked. Perhaps it's a result of his patrons and finances.
I think so too. Not unlike some composers of today. Once you know "what works", it's logical to keep doing it. I've been guilty of that myself a couple of times.
I still like some of his pieces, but in small doses. His 4-hand sonatas are quite fun to play!

Plus, had he lived 20-30 years more, he would've definitely evolved in interesting ways.
Yet, most times I feel if I hear one more heroic trill resolving a climatic Cadential I 6/4 - V7 - I ... I'm going to SCREAM
That was beautiful! Thank you.