
ps The depth of the scene, the width of the stereo field and more..pregene 807 OFF!
Moderator: James Steele
Is made(this is completed) http://dropmefiles.com/CsAo8 in DP8 and then opened and rendered in DP807 and DP913(72621), after-zero subtraction motu invert phase,sorry for my english)..Mr. Stubbsonic, any more questions? I'm shocked, I do not believe myself how I could mix(my job) the last year on DP9(((stubbsonic wrote:Have you done the "double-blind" thing to make sure you aren't projecting something? I'd find it hard to believe MOTU would have done anything to the way audio is processed that you would be able to hear.
I'm not sure if "double-blind" is necessary. But at least you could create two mixes, one in 9, one in 8, and have someone play matched excerpts (i.e., the same exact sections) from each, and you --without any clue of which you are hearing-- decide which it is, and what qualities you hear.
This is very interesting.oshtakuta wrote:Is made(this is completed) http://dropmefiles.com/CsAo8 in DP8 and then opened and rendered in DP807 and DP913(72621), after-zero subtraction motu invert phase,sorry for my english)..Mr. Stubbsonic, any more questions? I'm shocked, I do not believe myself how I could mix(my job) the last year on DP9(((stubbsonic wrote:Have you done the "double-blind" thing to make sure you aren't projecting something? I'd find it hard to believe MOTU would have done anything to the way audio is processed that you would be able to hear.
I'm not sure if "double-blind" is necessary. But at least you could create two mixes, one in 9, one in 8, and have someone play matched excerpts (i.e., the same exact sections) from each, and you --without any clue of which you are hearing-- decide which it is, and what qualities you hear.
Is there any time stretching in the project?oshtakuta wrote:Robert,Everything is absolutely the same!, DP8 plug-ins real-time pref! "a lot of automation"not at all