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I also find manual editing of vocal tracks in particular, to be more useful, stripping silences, rather than using a noise gate even during production.
This allows me to normalize vocal segments in context, and to make mix decisions about splitting into additional vocal tracks for verse, chorus, backing, effects vocals, etc., and thus also apply different processing without resorting to complicated automation that isn't obvious at the 20,000 foot view.
For a long time, you've been able to buy tools that can remove just about any artifact you can think of from a vocal track. Mouth noises, headphone bleed, mouth clicks, breath noise, background noise, 'plosives, tube preamp hiss etc ... all gone. Heck, RX 6 Advanced has a separate plug for each problem I listed.
There is no reason to Gate while tracking, especially as it can introduce additional problems at the threshold. Oh, RX 6 A can also remove reverb but it doesn't sound as good as not printing it in the first place.
Being able to remove them all doesn't mean you should. The results are often unnatural.
I have old hardware units I can run in my headphone system if I need.
DP 11.34; 828mkII FW, micro lite, M4, MTP/AV USB Firmware 2.0.1 2023 Mac Studio M2 8TB, 192GB RAM, OS Sequoia 15.4, USB4 8TB externals, Neumann MT48, M-Audio AIR 192|14, Mackie ProFxv3, Zoom F3 & UAC 232 32bit float recorder & interface; 2012 MBPs (x2) Catalina, Mojave IK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 NE Pro, Toast 20 Pro