NAMM Oddities 2010
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The forum for petitions, theoretical discussion, gripes, or other matters outside deemed outside the scope of helping users make optimal use of MOTU hardware and software. Posts in other forums may be moved here at the moderators discretion. No politics or religion!!
The forum for petitions, theoretical discussion, gripes, or other matters outside deemed outside the scope of helping users make optimal use of MOTU hardware and software. Posts in other forums may be moved here at the moderators discretion. No politics or religion!!
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NAMM Oddities 2010
I'm a long-time MOTU-MAC guy but I pop in here once in a while. Many of you have seen my annual NAMM Oddities web pages and I just wanted to let folks know that the 2010 pages are now online.
nammoddities.com
MOTU didn't show anything strange enough to make the Oddities. Volta did make the list last year though.
nammoddities.com
MOTU didn't show anything strange enough to make the Oddities. Volta did make the list last year though.
Barry Wood
The Other Room - Audio Engineering & Web Development www.otheroom.com
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- HCMarkus
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Re: NAMM Oddities 2010
Thanks for sharing... I always enjoy your report. My fave: myMIX. Great idea!
Re: NAMM Oddities 2010
Yo Barry !!
Good to see you're still hangin' in there. Still playing the Stick?
You should pop over here more often.
T
P.S.We met @ Jaime's get together in San Diego years ago ....when DP 2.7 or 3 came out?
Good to see you're still hangin' in there. Still playing the Stick?
You should pop over here more often.
T
P.S.We met @ Jaime's get together in San Diego years ago ....when DP 2.7 or 3 came out?
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Re: NAMM Oddities 2010
Wow, that get together at Jamey Scott's was quite some time back. I don't get to play Stick as often as I like but I have been doing some composing, including a piece for a string octet that will be performed in La Jolla in April.
The only reason that I don't hang out on MOTUnation is that I'll get busy and when I come back there are hundreds of posts and replies to sift through. With the MOTU-MAC email list the emails just come in and kind of force me to pay attention. I also find I read the content on websites who have RSS feeds I follow while other get neglected for weeks.
The only reason that I don't hang out on MOTUnation is that I'll get busy and when I come back there are hundreds of posts and replies to sift through. With the MOTU-MAC email list the emails just come in and kind of force me to pay attention. I also find I read the content on websites who have RSS feeds I follow while other get neglected for weeks.
Barry Wood
The Other Room - Audio Engineering & Web Development www.otheroom.com
The Other Room - Audio Engineering & Web Development www.otheroom.com
- James Steele
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Re: NAMM Oddities 2010
Don't think this one has RSS features... phpBB 3.0 that is. Although View New Posts is your friend.ubbotheroom wrote:Wow, that get together at Jamey Scott's was quite some time back. I don't get to play Stick as often as I like but I have been doing some composing, including a piece for a string octet that will be performed in La Jolla in April.
The only reason that I don't hang out on MOTUnation is that I'll get busy and when I come back there are hundreds of posts and replies to sift through. With the MOTU-MAC email list the emails just come in and kind of force me to pay attention. I also find I read the content on websites who have RSS feeds I follow while other get neglected for weeks.

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Re: NAMM Oddities 2010
I'm on a beta board using phpBB 3.0 and I found that the RSS feed didn't really help much because of the unthreaded nature of the feed. It ended up being easier to just remember to keep checking during the beta cycle.James Steele wrote:Don't think this one has RSS features... phpBB 3.0 that is.
If I don't check in regularly it's not that friendly because it tells me that there are 12,000 new posts.James Steele wrote:Although View New Posts is your friend.
That video guitar was actually my choice for the Oddity of the Year. I don't know if you got to play it but they've got a a piezo pickup and some circuitry to emulate (in analog) the sound of a single coil, double coil, and humbucker. I thought it did a credible job.James Steele wrote:BTW, Barry... did you see the guitar that had the video screen built into it on the face of the guitar under the strings? Funny stuff!
Barry Wood
The Other Room - Audio Engineering & Web Development www.otheroom.com
The Other Room - Audio Engineering & Web Development www.otheroom.com
- mhschmieder
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Re: NAMM Oddities 2010
Did I post my review of the Eigenharp here, or only in the keyboardist's forum?
That was the biggest oddity at NAMM, though it had been announced beforehand.
I concluded that for a wind player and keyboardist, it is a less natural interface than either a keyboard or wind controller.
It has rows of buttons, and I found that awkward vs. one linear arrangement of notes. Others might not find it so.
At any rate, the mouthpiece is less responsive than I'd hoped, as it doesn't have a reed, even though the instrument itself looks like a bassoon crossed with a Chapman Stick.
The buttons are touch sensitive and also can rock in either direction for pitch bend. Yet I find a global pitch bend easier to deal with, as the fine-grained tactile feedback isn't really there.
Kudos for doing something different though, and something that might inspire new people to get involved in music on the playing or writing level.
There are now three models, and the cheapest one is under $600 (I think). All have the same features other than numbers of buttons and how long the ribbon controller is.
That was the biggest oddity at NAMM, though it had been announced beforehand.
I concluded that for a wind player and keyboardist, it is a less natural interface than either a keyboard or wind controller.
It has rows of buttons, and I found that awkward vs. one linear arrangement of notes. Others might not find it so.
At any rate, the mouthpiece is less responsive than I'd hoped, as it doesn't have a reed, even though the instrument itself looks like a bassoon crossed with a Chapman Stick.
The buttons are touch sensitive and also can rock in either direction for pitch bend. Yet I find a global pitch bend easier to deal with, as the fine-grained tactile feedback isn't really there.
Kudos for doing something different though, and something that might inspire new people to get involved in music on the playing or writing level.
There are now three models, and the cheapest one is under $600 (I think). All have the same features other than numbers of buttons and how long the ribbon controller is.
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Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
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- Shooshie
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Re: NAMM Oddities 2010
Did anyone post pictures of the MOTU-Mac dinner at NAMM? Never heard a word about it.
Shooshie
Shooshie
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Re: NAMM Oddities 2010
Well if you only check this board once a year (to post the NAMM Oddities notice... hehehe...ubbotheroom wrote:If I don't check in regularly it's not that friendly because it tells me that there are 12,000 new posts.James Steele wrote:Although View New Posts is your friend.



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Re: NAMM Oddities 2010
Steve Wilkinson had posted a me.com gallery but that seems to be gone now.Shooshie wrote:Did anyone post pictures of the MOTU-Mac dinner at NAMM? Never heard a word about it.
I took two pictures:


Barry Wood
The Other Room - Audio Engineering & Web Development www.otheroom.com
The Other Room - Audio Engineering & Web Development www.otheroom.com
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Re: NAMM Oddities 2010
As a keyboardist and Chapman Stick player I had the same reaction that you did. It's an interesting idea but just doesn't feel that musical to me.mhschmieder wrote:I concluded that for a wind player and keyboardist, it is a less natural interface than either a keyboard or wind controller.
It has rows of buttons, and I found that awkward vs. one linear arrangement of notes. Others might not find it so.
At any rate, the mouthpiece is less responsive than I'd hoped, as it doesn't have a reed, even though the instrument itself looks like a bassoon crossed with a Chapman Stick.
The buttons are touch sensitive and also can rock in either direction for pitch bend. Yet I find a global pitch bend easier to deal with, as the fine-grained tactile feedback isn't really there.
Having sought out oddities for years at NAMM I've had the opportunity to play quite a number of alternate controllers and some are more successful than others. One in particular that I really liked was the Haken Continuum. Too bad it's so expensive.
Barry Wood
The Other Room - Audio Engineering & Web Development www.otheroom.com
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Re: NAMM Oddities 2010
Yeah, I first saw the Haken Continuum at NAMM 2003 or thereabouts (maybe earlier). Could be great for non-Western music or anything not based on the traditional western scale (including Schoenberg and beyond, or pre-Baroque music). I nearly fainted when I heard the price, but there is a smaller/cheaper model.
I think one of my co-workers who moonlights for Don Buchla told me that he has one. At any rate, I've heard it is well-implemented and not buggy or glitzy, which is more than can be said about a lot of other controllers.
I think one of my co-workers who moonlights for Don Buchla told me that he has one. At any rate, I've heard it is well-implemented and not buggy or glitzy, which is more than can be said about a lot of other controllers.
Mac Studio 2025 14-Core Apple M4 Max (36 GB RAM), OSX 15.4.1, MOTU DP 11.34, SpectraLayers 11
RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog Voyager
Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH
RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog Voyager
Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH