Abbey Road Brilliance Pack demo
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This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
Abbey Road Brilliance Pack demo
Dang, I can't get the demo for this plug-in to work in DP6. I think I might have screwed up the install somehow. Nothing seems to be working right for me today. It's been one of those days.
I do have it registered to my iLok and the AU components pass examination, but when I try to insert the plug I get an error message in DP saying it can't load it or something. Bummer.
Has anyone tried it out and got it to work. What do you think of it?
Thanks.
I do have it registered to my iLok and the AU components pass examination, but when I try to insert the plug I get an error message in DP saying it can't load it or something. Bummer.
Has anyone tried it out and got it to work. What do you think of it?
Thanks.
DP 6.03 • MacPro 2x3 Ghz Dual-Core Intel Xeon • 9 GB RAM • 10.5.7 • Prayers
I got the Comp to work, but there was an issue with iLok that had to be redone once I had problems loading plugin. Not sure that this is your issue, but if a reinstall doesn't work, write to tech support. They're pretty good about addressing issues.
6,1 MacPro, 96GB RAM, macOS Monterey 12.7.6, DP 11.33
Thanks, Frodo.Frodo wrote:I got the Comp to work, but there was an issue with iLok that had to be redone once I had problems loading plugin. Not sure that this is your issue, but if a reinstall doesn't work, write to tech support. They're pretty good about addressing issues.
I contacted Abbey Road support and they said:
"Sorry about this, the latest version of the Brilliance Pack software is coming up with this fault whenever used with Digital Performer. Our programmers are working on a fix for it and we should have a new version available next week."
That's cool. I can wait.
DP 6.03 • MacPro 2x3 Ghz Dual-Core Intel Xeon • 9 GB RAM • 10.5.7 • Prayers
I didn't have a problem with the demo, other that time ran out......ha
It's expensive for what it is... sounds like a harmonic saturator for higher Feqs. It sounds good.. looks cool... The Brand name sure jacks up the price...
Curious of others opinions of the sound... hope you get it working
It's expensive for what it is... sounds like a harmonic saturator for higher Feqs. It sounds good.. looks cool... The Brand name sure jacks up the price...
Curious of others opinions of the sound... hope you get it working
http://www.spoonwood.net
http://www.davidgennaro.com
2.16 Intel Core 2 Duo, 10.4.11, 3gigs ram, Ultralite 2 (good Box),Bunch of FireWire Drives, guitars guitars guitars, plugins plugins , mostly use Kontakt3
http://www.davidgennaro.com
2.16 Intel Core 2 Duo, 10.4.11, 3gigs ram, Ultralite 2 (good Box),Bunch of FireWire Drives, guitars guitars guitars, plugins plugins , mostly use Kontakt3
I have had the Brilliance plugin for a couple of weeks. It worked flawlessly in DP 4.61 but I'm having a problem installing it into 5.13. The plugin is great in my opiniion. You can get an edge to things in a really pleasing way, not grating on the ears. In "recording the Beatles" there was a section on the 127 box and it was often used at 10db at 10 k, so if you try that setting you can hear a little Beatle vibe. I noticed that running 2.5 gives you that kind of great drum distortion that the Beatles used. In my opinion this is a one of a kind tool.
Jay
Jay
i read about this plug in and was completely uninterested. i have no desire to sound like the beatles or abbey road. boring.
maybe that's why i am so unsuccessful?
but that's just me. i mean who cares. yee hah digital emulations of EQ used on a forty year old record! oooohhh.
but i can understand other people's interest and my opinion doesn't matter.
i just am reading the forums and avoiding work.
sigh.
maybe that's why i am so unsuccessful?
but that's just me. i mean who cares. yee hah digital emulations of EQ used on a forty year old record! oooohhh.
but i can understand other people's interest and my opinion doesn't matter.
i just am reading the forums and avoiding work.
sigh.
mac pro 2.66 2010 8 core w 48 gig 1600 ddr, Mac OS 10.6.8, DP 7.21, the usual plugs and stuff.
I like when my e-mail beeps, "Hey, It's Unicornation".i just am reading the forums and avoiding work.
Thanks for the distraction. Work can wait for Unicornation.
Facebook is a good distraction also.
http://www.spoonwood.net
http://www.davidgennaro.com
2.16 Intel Core 2 Duo, 10.4.11, 3gigs ram, Ultralite 2 (good Box),Bunch of FireWire Drives, guitars guitars guitars, plugins plugins , mostly use Kontakt3
http://www.davidgennaro.com
2.16 Intel Core 2 Duo, 10.4.11, 3gigs ram, Ultralite 2 (good Box),Bunch of FireWire Drives, guitars guitars guitars, plugins plugins , mostly use Kontakt3
Thanks for the info. Ooo, I forgot all about my RTB book. I'll have to go take a look at it now.Century wrote:I have had the Brilliance plugin for a couple of weeks. It worked flawlessly in DP 4.61 but I'm having a problem installing it into 5.13. The plugin is great in my opiniion. You can get an edge to things in a really pleasing way, not grating on the ears. In "recording the Beatles" there was a section on the 127 box and it was often used at 10db at 10 k, so if you try that setting you can hear a little Beatle vibe. I noticed that running 2.5 gives you that kind of great drum distortion that the Beatles used. In my opinion this is a one of a kind tool.
Jay
When they put the upgrade up you should be able to use it in 5.13.
Thanks!
DP 6.03 • MacPro 2x3 Ghz Dual-Core Intel Xeon • 9 GB RAM • 10.5.7 • Prayers
There's more to it than just the Beatles. EMI put out some great orchestral recordings as well, and some of the character of these plugins can take some of the "clinical" or "sanitized" character out of some of the more strident virtual instruments. These plugins are excellent for the way they add richness without sacrificing clarity. I've found it a challenge to get quite the same results with most other plugins of their kind. It's not totally impossible, it's just a challenge. They have a unique quality.willheim wrote:i read about this plug in and was completely uninterested. i have no desire to sound like the beatles or abbey road. boring.
maybe that's why i am so unsuccessful?
but that's just me. i mean who cares. yee hah digital emulations of EQ used on a forty year old record! oooohhh.
but i can understand other people's interest and my opinion doesn't matter.
i just am reading the forums and avoiding work.
sigh.
My biggest complaint is that as soon as names such as 'Beatles', 'Abbey Road', or even 'vintage' are used, it tends to impart a singularity of purpose where musical style is concerned and does nothing to convey the broader advantages of how the hardware equivalents were used in all their diversity. Also, a brand name fetish can too easily jack the price of such plugins, and the TG Chandler plugins just may be more expensive than many people find they're worth.
But even if the whole vintage warming is not appealing, perhaps some of the SSL plugins would prove to be more transparent. Dunno.
6,1 MacPro, 96GB RAM, macOS Monterey 12.7.6, DP 11.33
Sorry to go on about the "beatleness" of the brilliance plug-in but I suppose that is the frame of reference that I used to evaluate it. I've used it on instruments that needed aa boost and couldn't get it with any eq plugs I own so that's why it works for me.
We could discuss the pros and cons of vintage gear for hours but there is something special about some of the older tube based gear and the Neumann mikes and thwe like that is more than just nostalgia or hype.
Digital is what it is but you can't dismiss what came before it in my opinion.
Whether its Beatles or analog tape there's a reason for the hype.
We could discuss the pros and cons of vintage gear for hours but there is something special about some of the older tube based gear and the Neumann mikes and thwe like that is more than just nostalgia or hype.
Digital is what it is but you can't dismiss what came before it in my opinion.
Whether its Beatles or analog tape there's a reason for the hype.
Indeed. These are great plugins that are more than just "usable" or only geared towards 60's rock tracks of the mop-top type. I love 'em.Century wrote:Sorry to go on about the "beatleness" of the brilliance plug-in but I suppose that is the frame of reference that I used to evaluate it. I've used it on instruments that needed aa boost and couldn't get it with any eq plugs I own so that's why it works for me.
We could discuss the pros and cons of vintage gear for hours but there is something special about some of the older tube based gear and the Neumann mikes and thwe like that is more than just nostalgia or hype.
Digital is what it is but you can't dismiss what came before it in my opinion.
Whether its Beatles or analog tape there's a reason for the hype.
6,1 MacPro, 96GB RAM, macOS Monterey 12.7.6, DP 11.33
- mhschmieder
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Contrarily, I couldn't get the comp to work but was able to get both brilliance plugs to work in DP. I gave up, as the plugs seemed way too specialised for my current needs. But they really nailed the sound, for sure.
I think I might have had to reboot first (either the computer, or just DP). There did seem to be some bootsrapping beyond just downloading the iLok demo licenses.
I think I might have had to reboot first (either the computer, or just DP). There did seem to be some bootsrapping beyond just downloading the iLok demo licenses.
Mac Studio 2025 14-Core Apple M4 Max (36 GB RAM), OSX 15.4.1, MOTU DP 11.34, SpectraLayers 11
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RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog Voyager
Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH