DP6 Masterworks Leveler
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This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
DP6 Masterworks Leveler
Is this new plugin meant to be a replacement/upgrade for the Masterworks Limiter?? or is it more a high quality channel compressor instead.
Because if this thing is based on the LA2A I don't think I could ever use it on the 2-Buss, I know some people use the LA2A that way. For me, on individual channels like Bass, Vocals, etc.. they're spectacular but I just never liked what it does on an entire mix very limited controls for such a major task. So what will this thing be? or is DP's version different that it could be used at the 2-buss?
Because if this thing is based on the LA2A I don't think I could ever use it on the 2-Buss, I know some people use the LA2A that way. For me, on individual channels like Bass, Vocals, etc.. they're spectacular but I just never liked what it does on an entire mix very limited controls for such a major task. So what will this thing be? or is DP's version different that it could be used at the 2-buss?
I don't think they'd ditch the MW limiter. This is just an additional plugin that they're adding to the arsenal. Very much like how they added the pattern gate and the VI's when they came out with DP5.xx.
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- mhschmieder
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Good to know that it's new vs. an upgrade or replacement for the MasterWorks Limiter.
If it's as good as MasterWorks EQ and PatternGate, it'll be worth the upgrade price alone. I can't live without either plug.
I didn't realise PatternGate was so new; I just figured I hadn't discovered it until last year. I use it all the time, as it saves me tremendous time when I'm working on cover tunes and don't have time to delve into yet another synth's step sequencer and virtual patcher or related algorithms to get at that synth's pattern gate capabilities. It also gives me higher quality results
.
I do still hope they'll rework the earlier MasterWorks plugins at some point though, to bring them up to the quality of the newer ones. Does anyone know if there are any remakes in the DP 6 release, or just newbies?
If it's as good as MasterWorks EQ and PatternGate, it'll be worth the upgrade price alone. I can't live without either plug.
I didn't realise PatternGate was so new; I just figured I hadn't discovered it until last year. I use it all the time, as it saves me tremendous time when I'm working on cover tunes and don't have time to delve into yet another synth's step sequencer and virtual patcher or related algorithms to get at that synth's pattern gate capabilities. It also gives me higher quality results

I do still hope they'll rework the earlier MasterWorks plugins at some point though, to bring them up to the quality of the newer ones. Does anyone know if there are any remakes in the DP 6 release, or just newbies?
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Re: DP6 Masterworks Leveler
I would say that using an LA2A or any old school opto comp on the 2-buss is pretty unconventional. Traditionally, it's used on voice and acoustic instrument tracks. I imagine the new DP leveler will follow suit.Tares wrote:Because if this thing is based on the LA2A I don't think I could ever use it on the 2-Buss, I know some people use the LA2A that way.
- mhschmieder
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Yes, I think the "MasterWorks" designation confuses people into thinking these plugs are all intended for the 2-buss; whereas I think the intent is more that these are "elite" plug-ins meant to compete with third-party stuff.
I don't use the MW EQ on the 2-buss either, but use it on literally ALL of my individual tracks and stems. My impression is that this is true of most people on this forum who have discussed that plug.
I don't use the MW EQ on the 2-buss either, but use it on literally ALL of my individual tracks and stems. My impression is that this is true of most people on this forum who have discussed that plug.
iMac 27" 2017 Quad-Core Intel i5 (3.8 GHz, 64 GB), OSX 13.7.1, MOTU DP 11.34, SpectraLayers 11
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Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH
RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog Voyager
Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH
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Yeah I'd go with an SSL master bus compressor over the master bus, and use a completely transparent limiter just to prevent clipping on tracks that need to be slammin'.
Also good to use is the Oxford Inflator but it does color the overall mix a bit too much for my taste.
I think the LA2A might be good for parallel or two stage compression. Does anybody have an opinion on that?
best,
Jose
Also good to use is the Oxford Inflator but it does color the overall mix a bit too much for my taste.
I think the LA2A might be good for parallel or two stage compression. Does anybody have an opinion on that?
best,
Jose
I've use it for two stage compression sometimes with great results but for parallel comp., I tend to use the 1176 which allows me more control on how I slam the signal.José Herring wrote:Yeah I'd go with an SSL master bus compressor over the master bus, and use a completely transparent limiter just to prevent clipping on tracks that need to be slammin'.
Also good to use is the Oxford Inflator but it does color the overall mix a bit too much for my taste.
I think the LA2A might be good for parallel or two stage compression. Does anybody have an opinion on that?
best,
Jose
Great family and friends!
Mac Studio M2 Max, MacPro 8 core (trashcan), MacBook Pro 16 in 2023, OSX Ventura, DP 11, Pro Tools, Logic Pro X, Motu 112D, 24Ao, 8M, 896 MKIII, UA Apollo 16, Waves Horizon, Slate Everything Bundle, Plugin Alliance Bundle, UAD-2 Satellite DSP Accelerator, UAD Apollo Twin.
Native Instruments Komplete 14 Ultimate, Console 1 MKIII w/C1 Fader
"Without struggle, there is no progress"
F. Douglas
Mac Studio M2 Max, MacPro 8 core (trashcan), MacBook Pro 16 in 2023, OSX Ventura, DP 11, Pro Tools, Logic Pro X, Motu 112D, 24Ao, 8M, 896 MKIII, UA Apollo 16, Waves Horizon, Slate Everything Bundle, Plugin Alliance Bundle, UAD-2 Satellite DSP Accelerator, UAD Apollo Twin.
Native Instruments Komplete 14 Ultimate, Console 1 MKIII w/C1 Fader
"Without struggle, there is no progress"
F. Douglas
- timriley
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This is how the MW Leveler is described in the DP6 review in Sound-on-Sound magazine!
MasterWorks Leveler, a MAS emulation of a Teletronix LA-2A limiter ••” or, actually, four switchable LA2As of different vintages and specs
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- Tritonemusic
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Re: DP6 Masterworks Leveler
Hey Chris,chrispick wrote:I would say that using an LA2A or any old school opto comp on the 2-buss is pretty unconventional. Traditionally, it's used on voice and acoustic instrument tracks. I imagine the new DP leveler will follow suit.
I was under the same impression as you. Still, Magic Dave seems to think it's a great tool that can be used on the 2-buss. Here is a link from youtube.com. It's Magic Dave explaining the MasterWorks Leveler:
http://www.youtube.com/watch?v=w0E8wafy ... re=related
What do you think? I really don't know what to think....
I guess all will be answered when I get to try it for myself.
Last edited by Tritonemusic on Sat Mar 22, 2008 1:32 pm, edited 1 time in total.
- monkey man
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Hey '6, good to see you're still kicking goals.
Your new avatar's almost as pretty as the last one too.
What you say is good news to me, 'cause I was figuring on using MasterWorks Leveler along with MWEQ on the master buss.
Hey, if the best free plugs happen to be MOTU...
Of course, I'll not shut up about the fact that I'd still like a guitar amp and cab sim, more and updated VIs (esp. a brass and B&B module) that push boundaries, updated plugs, an NR plug/facility etc.
Then, I'll shut up and make music 'till I puke.
Your new avatar's almost as pretty as the last one too.

What you say is good news to me, 'cause I was figuring on using MasterWorks Leveler along with MWEQ on the master buss.
Hey, if the best free plugs happen to be MOTU...
Of course, I'll not shut up about the fact that I'd still like a guitar amp and cab sim, more and updated VIs (esp. a brass and B&B module) that push boundaries, updated plugs, an NR plug/facility etc.
Then, I'll shut up and make music 'till I puke.

Mac 2012 12C Cheese Grater, OSX 10.13.6
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- Tritonemusic
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I particularly liked the part where MagicD said the the Leveler doesn't destroy the high end (those are my own words...check the link for an accurate description).monkey man wrote:What you say is good news to me, 'cause I was figuring on using MasterWorks Leveler along with MWEQ on the master buss.
As far as my avatars; I've been using only images from one of my favorite movies, "Vampyr" (1932) by Carl Theodor Dreyer. I don't know how long I can milk it, but I will do my best to make it last.

- mhschmieder
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When you run out of images from that Classic, you can switch over to scenes from the French silent movie version of Joan of Arc. About as haunting as it gets, in spite of the low tech.
iMac 27" 2017 Quad-Core Intel i5 (3.8 GHz, 64 GB), OSX 13.7.1, MOTU DP 11.34, SpectraLayers 11
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Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH
RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog Voyager
Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH
- Tritonemusic
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How right you are. A forum member, Richard Einhorn, composed the music for that film. It fits perfectly.mhschmieder wrote:When you run out of images from that Classic, you can switch over to scenes from the French silent movie version of Joan of Arc. About as haunting as it gets, in spite of the low tech.
Both, "Vampyr" and "The Passion of Joan of Arc" are in my top five films of all time.
P.S. I'm REALLY sorry for drifting so far off topic but I couldn't help myself...
Ever seen Haxan (1922)? It's a goodie.666 wrote:How right you are. A forum member, Richard Einhorn, composed the music for that film. It fits perfectly.mhschmieder wrote:When you run out of images from that Classic, you can switch over to scenes from the French silent movie version of Joan of Arc. About as haunting as it gets, in spite of the low tech.
Both, "Vampyr" and "The Passion of Joan of Arc" are in my top five films of all time.
P.S. I'm REALLY sorry for drifting so far off topic but I couldn't help myself...
Re: DP6 Masterworks Leveler
Well, looking at this clip -- The DP leveler does seem to be a good bit more flexible than an LA2A in terms of release speeds and such. So, maybe it could work on the 2-buss in some cases. If so, all the better for everyone.666 wrote:Hey Chris,chrispick wrote:I would say that using an LA2A or any old school opto comp on the 2-buss is pretty unconventional. Traditionally, it's used on voice and acoustic instrument tracks. I imagine the new DP leveler will follow suit.
I was under the same impression as you. Still, Magic Dave seems to think it's a great tool that can be used on the 2-buss. Here is a link from youtube.com. It's Magic Dave explaining the MasterWorks Leveler:
http://www.youtube.com/watch?v=w0E8wafy ... re=related
What do you think? I really don't know what to think....