The problem seems to go deeper than that though. Maybe I've just gotten used to ready-to-go programmed voice libraries dedicated to one instrument.
I tried re-tracking an early demo of a celtic piece I was working on a couple of years back which was originally recorded using Bolder Sounds' Celtic Pipes sample library running on a Yamaha Motif ES workstation. The voice library is set up very well to take advantage of real world playing styles.
A typical bag pipe has a chanter with up to three drones. Even after splitting the MIDI up into two separate files -- one for the chanter, and one for the drone -- I cannot get any notes low enough to serve as a true drone, no matter which sound source I choose from Ethno's selection of celtic pipes.
Furthermore, it is never possible to sound more than one note at a time, so I can't get octave-unison drones going. And I have to transpose those parts to sound at all, based on the published range for each pipe in the Ethno library. In each case, this puts it too high to be a drone.
Am I missing something? Are the drones labeled differently and categorised somewhere else in the library? The description in the manual would lead me to believe these samples could be played polyphonically to create the chanter atop the multiple drones, so long as one obeyed proper articulation and note ranges.
At this point, I think I have concluded I am best off re-buying the Celtic Pipes library from Bolder Sounds for Kontakt 2, which is on special cross-grade right now for under $20. It's a small investment anyway, but I don't like clutter and try to keep my system free of redundancies or stuff I'm just not going to use (such as the entire freebie library that ships with Kontakt 2
