blue wrote:FMiguelez wrote:It would be great if the clients are willing to stay in DP all the way. And I just don't see why they wouldn't.
Isn't that similar to the argument "It has to be ProTools from start to finish?" The problem only arises when you are forced to use tools you don't own and/or don't know how to use. But that's something you have to decide for yourself. Are you willing to possibly lose business because you refuse to use something that a majority of users, in a given context, are using? It goes both ways.
Agreed. But what I menat by that is that if they stay in DP all the way, all the export/import issues are just gone. The original poster could be upfront about the hassle of doing that with his clients. He could tell them something like (
if he really wants to avoid PT, as he stated) "I'll be more than happy to work with you. I use DP. If you want to use PT there can be issues. I would charge you an extra fee if you want to do that".
This way, his clients would know what to expect in advance, and be encouraged to do the whole thing from start to finish in DP, with him, just to avoid possible hassles later.
Besides, this would be an incentive for the clients (who accept) to stay with him for the WHOLE project, not only for tracking, or mixing. They'd be kind of "stuck" with him. But nice kind of stuck, that is.
Personally, for the kind of work I do, I've never been asked to deliver in PT, thankfully. If I did, my assistant has his PT LE, and he'd help me with that.
Hmmmm. On second thought, what I just said might bite me in the butt rather soon. I'm doing this jingle where they want surround sound... and I don't have sorround mixing capabilities. I'll have to go to a "big/Pro" studio. I think I can already guess how they'll want me to take the music for mixing there... PT
Ok. BITTEN in the butt. Or is it beaten?