Best way to convert 24 bit mixes to 16 bit
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This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
- waterstrum
- Posts: 1096
- Joined: Tue Oct 19, 2004 10:01 pm
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Best way to convert 24 bit mixes to 16 bit
Now that DP supports multiple bit rates within a project, I was wondering If I should mix my 24 bit project to a stereo 16 bit track within DP.
I usually make a 24 bit mix and convert it to 16 bits in Peak.
It never sounds as good as the original.
What have you folks found to be the best sounding way of converting a 24 bit mix to 16 bit?
What have you found to be the least disappointing method of conversion?
Thanks.
I usually make a 24 bit mix and convert it to 16 bits in Peak.
It never sounds as good as the original.
What have you folks found to be the best sounding way of converting a 24 bit mix to 16 bit?
What have you found to be the least disappointing method of conversion?
Thanks.
- mhschmieder
- Posts: 11408
- Joined: Wed Jul 06, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: Annandale VA
Are you using POW-r dithering in Peak? If you haven't already upgraded to the Pro edition (it isn't available in LE), it is worth the upgrade price on its own.
I recently reconverted a bunch of 24-bit pre-masters to 16-bits using Peak Pro and POW-r dither, and can barely tell the difference. It used to be night and day, when I was using either DP on its own or in conjunction with Ozone's MBIT+ algorithm for noise-shaping (I forget where I did the actual dithering).
I have since downloaded the article as a PDF which I have both printed out and stored on my hard disc, but you should check the article linked at the BIAS website that compares SRC in a variety of apps.
To its credit, DP didn't fare as poorly as some of the other DAW's, but the real shocker was that the ONLY tools that came close to Peak Pro were Apple Audition (I think that's the one -- my refs aren't with me right now) and Pro Tools. BIAS Peak Pro still came out on top, but only slightly.
Sorry, it's late and I'm tired, so maybe I'm confusing which metrics the article showed, as it displayed charts for a lot of SRC's, so maybe that wasn't the article that also talked about POW-r dithering for bit depth conversions.
At any rate, it doesn't take much Googling to find reviews in top magazines, forums, informational websites, etc., that put POW-r dither on top. This is a licensed technology, so whatever you think of BIAS as a company or Peak as a product, POW-r dither is really a separate entity.
I recently reconverted a bunch of 24-bit pre-masters to 16-bits using Peak Pro and POW-r dither, and can barely tell the difference. It used to be night and day, when I was using either DP on its own or in conjunction with Ozone's MBIT+ algorithm for noise-shaping (I forget where I did the actual dithering).
I have since downloaded the article as a PDF which I have both printed out and stored on my hard disc, but you should check the article linked at the BIAS website that compares SRC in a variety of apps.
To its credit, DP didn't fare as poorly as some of the other DAW's, but the real shocker was that the ONLY tools that came close to Peak Pro were Apple Audition (I think that's the one -- my refs aren't with me right now) and Pro Tools. BIAS Peak Pro still came out on top, but only slightly.
Sorry, it's late and I'm tired, so maybe I'm confusing which metrics the article showed, as it displayed charts for a lot of SRC's, so maybe that wasn't the article that also talked about POW-r dithering for bit depth conversions.
At any rate, it doesn't take much Googling to find reviews in top magazines, forums, informational websites, etc., that put POW-r dither on top. This is a licensed technology, so whatever you think of BIAS as a company or Peak as a product, POW-r dither is really a separate entity.
- waterstrum
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- HCMarkus
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The other thing to keep in mind when going form 24 to 16 bits is make sure you are hitting close to digital zero. You are throwing away 8 bits of dynamic range, so be sure you are not wasting bits in the translation. Many folks use a plugin like Waves L1 or L2 to get levels up. You don't have to limit a lot unless you want to. L1 also offers Waves noise-shaped dithering.
- mhschmieder
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The dithering article and SRC article were from different sources, as I suspected.
Here is the URL for the excellent article on POW-R Dither, which BIAS licenses from Weiss Engineering:
http://www.proaudioreview.com/october99/Weiss-web.shtml
Amazing that the best dithering is eight years old... but not so amazing if you've followed the industry for a couple of decades, and are used to seeing how long it takes for innovative ideas to trickle down.
Here is the URL for the excellent article on POW-R Dither, which BIAS licenses from Weiss Engineering:
http://www.proaudioreview.com/october99/Weiss-web.shtml
Amazing that the best dithering is eight years old... but not so amazing if you've followed the industry for a couple of decades, and are used to seeing how long it takes for innovative ideas to trickle down.
- mhschmieder
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- waterstrum
- Posts: 1096
- Joined: Tue Oct 19, 2004 10:01 pm
- Primary DAW OS: Unspecified
I tried the Pow-r dither and it sounds pretty good.
When I put the 2 files up side by side and switch back and forth, I hear the soundstage collapse a bit.
There is a bit less precision, but it sounds O.K.
HCMarkus, this is premastering conversion.
Do you think the Waves L1/2 would do it better?
I'm wanting a 16 bit file that sounds exactly like the 24 bit file.
When I put the 2 files up side by side and switch back and forth, I hear the soundstage collapse a bit.
There is a bit less precision, but it sounds O.K.
HCMarkus, this is premastering conversion.
Do you think the Waves L1/2 would do it better?
I'm wanting a 16 bit file that sounds exactly like the 24 bit file.
If you go here:
http://www.24-96.net/dither/results.htm
you'll see that MegaBitMax blew away all the others. Anyone know about this shootout? Did they skew the test in MagaBit's favor, or is it a valid test? My understanding is that MagaBit is MBit's predecessor (used by Ozone).
It seems like Bob Katz really likes pow-r, but he's talking about a very expensive hardware version. Comments/opinions?
Phil
http://www.24-96.net/dither/results.htm
you'll see that MegaBitMax blew away all the others. Anyone know about this shootout? Did they skew the test in MagaBit's favor, or is it a valid test? My understanding is that MagaBit is MBit's predecessor (used by Ozone).
It seems like Bob Katz really likes pow-r, but he's talking about a very expensive hardware version. Comments/opinions?
Phil
DP 11.34. 2020 M1 Mac Mini [9,1] (16 Gig RAM), Mac Pro 3GHz 8 core [6,1] (16 Gig RAM), OS 15.3/11.6.2, Lynx Aurora (n) 8tb, MOTU 8pre-es, MOTU M6, MOTU 828, Apogee Rosetta 800, UAD-2 Satellite, a truckload of outboard gear and plug-ins, and a partridge in a pear tree.
- waterstrum
- Posts: 1096
- Joined: Tue Oct 19, 2004 10:01 pm
- Primary DAW OS: Unspecified
Hey Phil O,
That looks very persuasive.
I couldn't find MegaBitMax for sale anywhere, but if it works as an AU plug I will give it a try.
I just went back to my two file shootout.
I listened again and they sounded very similar.
One file had a slightly better sound.
It turns out the Pow-R file was the one with the bigger soundstage.
I had labled them ambiguosly and after checking my notes, I was very surprised to see this.
For now I will go with Pow-R.
Thanks
That looks very persuasive.
I couldn't find MegaBitMax for sale anywhere, but if it works as an AU plug I will give it a try.
I just went back to my two file shootout.
I listened again and they sounded very similar.
One file had a slightly better sound.
It turns out the Pow-R file was the one with the bigger soundstage.
I had labled them ambiguosly and after checking my notes, I was very surprised to see this.
For now I will go with Pow-R.
Thanks
Yes it does, but I don't know if the test was designed to yield those results or it's actually a valid test. I have Peak LE, but it doesn't have pow-r dither. I don't know if I want to spring for the upgrade for what might be a minimal improvement in dithering over what I already have. Hmmm. Does Bias have a full functioning demo?waterstrum wrote:Hey Phil O,
That looks very persuasive.
One file is pow-r. what is the second again?I just went back to my two file shootout.
Phil
DP 11.34. 2020 M1 Mac Mini [9,1] (16 Gig RAM), Mac Pro 3GHz 8 core [6,1] (16 Gig RAM), OS 15.3/11.6.2, Lynx Aurora (n) 8tb, MOTU 8pre-es, MOTU M6, MOTU 828, Apogee Rosetta 800, UAD-2 Satellite, a truckload of outboard gear and plug-ins, and a partridge in a pear tree.
- waterstrum
- Posts: 1096
- Joined: Tue Oct 19, 2004 10:01 pm
- Primary DAW OS: Unspecified
- waterstrum
- Posts: 1096
- Joined: Tue Oct 19, 2004 10:01 pm
- Primary DAW OS: Unspecified
I have not tried Barbabatch.
I went to the website and it looks like a great product.
I'm not looking for a batch convertor, but if it sounds better, I would buy it.
The posted quality tests are for sample rate conversion.
I couldn't find any bit depth conversion comparisons.
I'm just looking for the best way down to 16 bits from 24 bits. (both at 44.1 khz)
I went to the website and it looks like a great product.
I'm not looking for a batch convertor, but if it sounds better, I would buy it.
The posted quality tests are for sample rate conversion.
I couldn't find any bit depth conversion comparisons.
I'm just looking for the best way down to 16 bits from 24 bits. (both at 44.1 khz)