I'd like to have some new stuff to try on my mixes. I'm sure their are tons of experienced mixers here who could help out. You could talk about delays, verbs, compression, frequency ranges....
Thanks!
Any nifty recording or mixdown tricks?
Moderator: James Steele
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
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- Posts: 283
- Joined: Wed Aug 24, 2005 9:21 am
- Primary DAW OS: MacOS
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parallel compression... always good! it involves splitting (multing) a track (or group of tracks) to 2 places and crushing the buhjesus out of 1 of the splits and blending them...
try on a drumset mix
try on a drumset mix
3GHz 8 core, 6GB ram, DP 5.13, OSX.4.11, PTLE 7.4.2, Rosetta 200 digi003, waves platinum, mach five, distressors, ADL 1000, API, Calrec, UA mic pres, neumann, AT, shure, Sennheiser and rode mics...old guitars and drums...nord rack 2, s90, micro korg...yaddda yadda.
http://myspace.com/monkeydenrecording
http://myspace.com/monkeydenrecording
-Until you really know how your room and monitoring system respond to sound, drag stereo reference mix into your DP project, of a commercial song that has that one elemental "sound" you are after. It could be a kick drum, or a bass guitar, as in: "i want my kick to sound like the kick on this song, or that song" Match the gain levels, and then A/B your mix element with the references. tweak till you are happy...repeat for each element if you desire. once you have a few records, projects, scores, jingles, whatever under your belt try mixing with no reference and see how it goes...
that's one i use all the time
that's one i use all the time
why would i want to skin a cat?