I am composing a sound track for a German movie. The shooting was done in 24 frames. Postproduction in Germany, however, works with 25 frames. Therefore, when transfer is done, one frame per second is doubled, resulting in 25 pictures. Composers and sounddesigners all work with 25 frames, one of which is duplicated.
I am currently working with a quicktime.dv file. When I open this file with Quicktime Pro I can hardly see the duplicate frame. When I open the same file with Digital Performer and start playing I can clearly see this frame in the Quicktime Window, the picture gets jammed. If I send the picture through the Canopus ADVC to my tv-monitor I get a real interference on the monitor when playing the duplicate frame. Who can help???
Frame Problem
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This forum is for discussion related to the use of Digital Perfomer in the context of television and film scoring and post-production.
This forum is for discussion related to the use of Digital Perfomer in the context of television and film scoring and post-production.
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"when transfer is done, one frame per second is doubled, resulting in 25 pictures"
How was that done?
If the footage was shot at 24, then wasn't the editing done at 24? Why not just do your work at 24 as well?
How was that done?
If the footage was shot at 24, then wasn't the editing done at 24? Why not just do your work at 24 as well?
recording: Mac Mini 2018 - 32GB RAM - 3.2 GHz 6-Core Intel Core i7 - two Focusrite Scarlett 18i20 - OS 14.7.2 - DP 11.34
mixing: Mac Mini M4 Pro - 64 GB RAM - Focusrite Scarlett Solo - OS 15.3.2 - DP 11.34
VIs and Plug-ins: hundreds (amassed since 1990)
mixing: Mac Mini M4 Pro - 64 GB RAM - Focusrite Scarlett Solo - OS 15.3.2 - DP 11.34
VIs and Plug-ins: hundreds (amassed since 1990)
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- Posts: 16
- Joined: Thu Nov 25, 2004 10:01 pm
- Primary DAW OS: Unspecified