live sound
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The forum for petitions, theoretical discussion, gripes, or other matters outside deemed outside the scope of helping users make optimal use of MOTU hardware and software. Posts in other forums may be moved here at the moderators discretion. No politics or religion!!
The forum for petitions, theoretical discussion, gripes, or other matters outside deemed outside the scope of helping users make optimal use of MOTU hardware and software. Posts in other forums may be moved here at the moderators discretion. No politics or religion!!
live sound
well, you guys are always so nice and helpful...
i was wondering if anybody knew a thing or 2 about live sound?
i have a 24 channel mixing board with 4 busses.
i have 2 monitors and 12 speakers for FOH.
as of right now i have a 100 ft snake. that has essentially the same set up as the mixing board. 4 trs' for aux's and 16 xlr's. currently, i use send's 1 and 2 on each channel to send to the monitors(the sends are of course trs). the monitors have a hum in them. i'm sure the reason is
that i have to use the 2 trs i/o's from the snake. then put an adapter on my xlr cable to go into the back of the monitors(the monitors are powered mackie 450's and the only input on them is xlr). so, should i just buy a male xlr-trs? is this what's causing the hum? is there a better way to go about configuring monitors in which i can add and subtract from the monitor mixing by individual tracks. in a nutshell, how can i get rid of the annoying hum?
i was wondering if anybody knew a thing or 2 about live sound?
i have a 24 channel mixing board with 4 busses.
i have 2 monitors and 12 speakers for FOH.
as of right now i have a 100 ft snake. that has essentially the same set up as the mixing board. 4 trs' for aux's and 16 xlr's. currently, i use send's 1 and 2 on each channel to send to the monitors(the sends are of course trs). the monitors have a hum in them. i'm sure the reason is
that i have to use the 2 trs i/o's from the snake. then put an adapter on my xlr cable to go into the back of the monitors(the monitors are powered mackie 450's and the only input on them is xlr). so, should i just buy a male xlr-trs? is this what's causing the hum? is there a better way to go about configuring monitors in which i can add and subtract from the monitor mixing by individual tracks. in a nutshell, how can i get rid of the annoying hum?
MacBook(black)2.0/2.0/200(OSX10.4.1), iMac 20" 2.4/2.0/300(OSX10.5), DP 5.13(soon 6?), Ableton Live 7, MX4, MSI, Vanguard, Blue, Reason 3, Zebra 2, Sylenth 1, Automat, Komplete 5, Effectrix, PSP Vintage Warmer, Altiverb, Ozone, Trash, Vinyl, (old)828, 128 express, Wacom Bamboo,(2)Presonus Tube Pre, Roland JP-8000, Roland MC-909, Roland SH-201, Korg Electribe EMX-1, Pearl Drums, Paiste/Zildjian cymbals, ESP Viper, Shamisen, Shakuhachi
The reason you have this hum is because you probably use an unbalanced jack. With a balance trs jack, the hum should go. If you'r already using a trs jack, then I would assume the this is an electrical hum. You could try a "Pin 1 lift" xlr adapter. It may also come from the console itself. Then you could try ground lifting the console. If all of this doesn't solve your problem then let me know, I may have a couple more "troubleshooting" trick on hand!
But my feeling is it come from the wrong adapter...
Good luck!
Mat
But my feeling is it come from the wrong adapter...
Good luck!
Mat
Imac Intel core 2 duo 2.33Ghz-2G ram / Macbook Pro 17" core 2 duo 2.33Ghz-2G ram/DP5.12/Logic 8.0.1/M5/MSI/BFD/828/RME Fireface 800/EMU 0404/Dynaudio BM5A
- daniel.sneed
- Posts: 2264
- Joined: Sun Jan 23, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: France
- Contact:
I agree with Macinbowl.
When I get trough this type of trouble, I of course try to keep everything connected in "balanced lines", that's standing for 3 points connections.
This from mixer to stage amp.
Practicaly, your snake must be : shield + cold wire + hot wire. This means all trs, if any, are stereo ones.
You must check in your mixer datasheet, that your mixer offers real 3 points outputs (called balanced outputs) for monitors. Specialy if they're trs, cause you can't see it from outside the box !
You must check that your stage amps are real 3 points connection inputs (called balanced inputs). Specialy if they're trs, cause you can't see it from outside the box either !
The required tool when you can't check your equipement before working day, is to cary in your pocket one, or two, good double transformer isolation boxes. Typicaly a double 600-600 Ohms box, with two earth lift buttons.
When you encounter hum trouble, you connect it at one end of your snake, beteween mixer and snake, and move the earth lift buttons combination, listening to any change in hum. If you don't get good results, try it at the other end of the snake, between snake and stage amp.
This basical tip has got me quickly out of many trouble sound installs.
Works equally for fold-back and front of house, of course.
When I get trough this type of trouble, I of course try to keep everything connected in "balanced lines", that's standing for 3 points connections.
This from mixer to stage amp.
Practicaly, your snake must be : shield + cold wire + hot wire. This means all trs, if any, are stereo ones.
You must check in your mixer datasheet, that your mixer offers real 3 points outputs (called balanced outputs) for monitors. Specialy if they're trs, cause you can't see it from outside the box !
You must check that your stage amps are real 3 points connection inputs (called balanced inputs). Specialy if they're trs, cause you can't see it from outside the box either !
The required tool when you can't check your equipement before working day, is to cary in your pocket one, or two, good double transformer isolation boxes. Typicaly a double 600-600 Ohms box, with two earth lift buttons.
When you encounter hum trouble, you connect it at one end of your snake, beteween mixer and snake, and move the earth lift buttons combination, listening to any change in hum. If you don't get good results, try it at the other end of the snake, between snake and stage amp.
This basical tip has got me quickly out of many trouble sound installs.
Works equally for fold-back and front of house, of course.
dAn Shakin' all over!
DP11.34, OS12.7.6, MacBookPro-i7
Falcon, Kontakt, Ozone, RX, Unisum, Michelangelo, Sparkverb
Waldorf Iridium & STVC & Blofeld, Kemper Profiler Stage, EWIusb, Mixface
JBL4326+4312sub, Behringer X32rack
Many mandolins, banjos, guitars, flutes, melodions, xylos, kalimbas...

DP11.34, OS12.7.6, MacBookPro-i7
Falcon, Kontakt, Ozone, RX, Unisum, Michelangelo, Sparkverb
Waldorf Iridium & STVC & Blofeld, Kemper Profiler Stage, EWIusb, Mixface
JBL4326+4312sub, Behringer X32rack
Many mandolins, banjos, guitars, flutes, melodions, xylos, kalimbas...
- Shooshie
- Posts: 19820
- Joined: Sat Oct 16, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Dallas
- Contact:
Could you give me an example of such a pocket-sized box? I really don't know what I'm looking for, and googling double transformer isolation boxes doesn't yield much to go on.daniel.sneed wrote:The required tool when you can't check your equipement before working day, is to cary in your pocket one, or two, good double transformer isolation boxes. Typicaly a double 600-600 Ohms box, with two earth lift button
Thanks,
Shooshie
|l| OS X 10.12.6 |l| DP 10.0 |l| 2.4 GHz 12-Core MacPro Mid-2012 |l| 40GB RAM |l| Mach5.3 |l| Waves 9.x |l| Altiverb |l| Ivory 2 New York Steinway |l| Wallander WIVI 2.30 Winds, Brass, Saxes |l| Garritan Aria |l| VSL 5.3.1 and VSL Pro 2.3.1 |l| Yamaha WX-5 MIDI Wind Controller |l| Roland FC-300 |l|
- Shooshie
- Posts: 19820
- Joined: Sat Oct 16, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Dallas
- Contact:
Re: help
Can you be more specific? Let's say I have a snake of 8 trs lines, and I've got 7 of them employed. What do I do to the 8th one? (in literal, step-by-step terms if possible, for this electronics-challenged do-it-yourselfer.TreyG wrote:If you are not using all the channel from your snake you can reverse the connections on each end to give a balanced signal.
I use srm450's for monitors and this works great for me.
Shooshie
|l| OS X 10.12.6 |l| DP 10.0 |l| 2.4 GHz 12-Core MacPro Mid-2012 |l| 40GB RAM |l| Mach5.3 |l| Waves 9.x |l| Altiverb |l| Ivory 2 New York Steinway |l| Wallander WIVI 2.30 Winds, Brass, Saxes |l| Garritan Aria |l| VSL 5.3.1 and VSL Pro 2.3.1 |l| Yamaha WX-5 MIDI Wind Controller |l| Roland FC-300 |l|