hd192 96 48 or 44.1
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This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
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hd192 96 48 or 44.1
Just upgraded to mac pro from a g4. As I now have more cpu power and lots of hard drive space I was thinkin of using 96khz as a defult sample rate fro new projects. Is there a real audible difference between 96 and 44.1 (My old default)
What should I be listening for. I look forward to all of your wisdom
thanks
mike b
What should I be listening for. I look forward to all of your wisdom
thanks
mike b
Mac Pro 2.66, 3gig ram, HD192, 2408 mkII, DP 5.12, MTP AV, UAD-1 Studio Pak, Avalon 737, TLM 103, AEA R84, Great River MP2, Presonus M80, Roland xv5080, Pod Pro, EZdrummer, Ozone 3,
Many Lacie 160 gig external drives,
Many Lacie 160 gig external drives,
There is, but they make for large files that will likely be squashed down to 44.1 or mp3 anyway. 88.2 is often chosen over 96 because of dithering by a round factor of two lowers the risk of anomalies.
More significant, imho, is the bit depth when recording vocals or real instruments. 24bit has made the most important differences in sound for the better from all I've seen and heard.
For virtual instruments, there is no benefit since most of them deliver at 44.1/16 and fewer of them are designed for 48/24.
For all else, the best thing to do is to run some tests. Record at all available sample rates and compare. Then bounce to 44.1/16 and compare the results from each. If mp3s are of concern, compress the mixes to various bps to hear what appeals the most to you.
One question to ask yourself-- and a simple one at that: can you hear the difference between 48k, 96k, and 192k? The answer may be yes or no, but it's important to understand why one uses certain settings.
I still think bit depth makes the biggest difference. Higher sample rates can present diminishing returns depending upon circumstances.
More significant, imho, is the bit depth when recording vocals or real instruments. 24bit has made the most important differences in sound for the better from all I've seen and heard.
For virtual instruments, there is no benefit since most of them deliver at 44.1/16 and fewer of them are designed for 48/24.
For all else, the best thing to do is to run some tests. Record at all available sample rates and compare. Then bounce to 44.1/16 and compare the results from each. If mp3s are of concern, compress the mixes to various bps to hear what appeals the most to you.
One question to ask yourself-- and a simple one at that: can you hear the difference between 48k, 96k, and 192k? The answer may be yes or no, but it's important to understand why one uses certain settings.
I still think bit depth makes the biggest difference. Higher sample rates can present diminishing returns depending upon circumstances.
6,1 MacPro, 96GB RAM, macOS Monterey 12.7, macOS 10.14, DP9.52
- emulatorloo
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- kassonica
- Posts: 5230
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I always use 48/24 myself but i have noticed a difference when recording quality acoustic instruments like violin or good acoustic guitars at 88/24 but for rock or pop music 44 or 48 is the norm but as Mr frodo has stated bit depth is the key.
I always record at 24 bit even for demo's and dither down to 16 for burning CD's.
CD i believe would sound a lot better if they were all 44/24
I always record at 24 bit even for demo's and dither down to 16 for burning CD's.
CD i believe would sound a lot better if they were all 44/24
Creativity, some digital stuff and analogue things that go boom. crackle, bits of wood with strings on them that go twang
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thanks, I think I will make 48/24 my new default and experiment with 88.2/24 for special acoustic intruments projects
Your informed replies are much appreciated
Your informed replies are much appreciated
Mac Pro 2.66, 3gig ram, HD192, 2408 mkII, DP 5.12, MTP AV, UAD-1 Studio Pak, Avalon 737, TLM 103, AEA R84, Great River MP2, Presonus M80, Roland xv5080, Pod Pro, EZdrummer, Ozone 3,
Many Lacie 160 gig external drives,
Many Lacie 160 gig external drives,
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- Primary DAW OS: Unspecified
well, whatever you go with, dont mix it up...
http://warmowski.wordpress.com/2007/10/ ... -in-pitch/
. . .
HM
http://warmowski.wordpress.com/2007/10/ ... -in-pitch/
. . .
HM
Macbook 2.16
OS-X 10.4.11
DP 5.13
Volentary promotion for free stuff (UB) that you just have to have
Linplug: Alpha Free
Big Tick: Cheeze Machine, Ticky Clav (Apulsoft Mac Ports)
U-HE: Triple Cheese
Lernvall Audio: LAConvolver (IR player)
Yohng: W1 Limiter (L1 "clone")
Sonalksis: FreeG (Advanced Fader/Gain/Meter)
OS-X 10.4.11
DP 5.13
Volentary promotion for free stuff (UB) that you just have to have
Linplug: Alpha Free
Big Tick: Cheeze Machine, Ticky Clav (Apulsoft Mac Ports)
U-HE: Triple Cheese
Lernvall Audio: LAConvolver (IR player)
Yohng: W1 Limiter (L1 "clone")
Sonalksis: FreeG (Advanced Fader/Gain/Meter)
"You've got to ro-o-oll with the punches!"HeadMaster wrote:well, whatever you go with, dont mix it up...
http://warmowski.wordpress.com/2007/10/ ... -in-pitch/
. . .
HM
And to think that most of those paying customers were probably none the wiser.
6,1 MacPro, 96GB RAM, macOS Monterey 12.7, macOS 10.14, DP9.52
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The power of instant intonation on a guitar, is TOTALLY underestimated..Frodo wrote:"You've got to ro-o-oll with the punches!"HeadMaster wrote:well, whatever you go with, dont mix it up...
http://warmowski.wordpress.com/2007/10/ ... -in-pitch/
. . .
HM
And to think that most of those paying customers were probably none the wiser.
HEHEHE
. . .
HM
Macbook 2.16
OS-X 10.4.11
DP 5.13
Volentary promotion for free stuff (UB) that you just have to have
Linplug: Alpha Free
Big Tick: Cheeze Machine, Ticky Clav (Apulsoft Mac Ports)
U-HE: Triple Cheese
Lernvall Audio: LAConvolver (IR player)
Yohng: W1 Limiter (L1 "clone")
Sonalksis: FreeG (Advanced Fader/Gain/Meter)
OS-X 10.4.11
DP 5.13
Volentary promotion for free stuff (UB) that you just have to have
Linplug: Alpha Free
Big Tick: Cheeze Machine, Ticky Clav (Apulsoft Mac Ports)
U-HE: Triple Cheese
Lernvall Audio: LAConvolver (IR player)
Yohng: W1 Limiter (L1 "clone")
Sonalksis: FreeG (Advanced Fader/Gain/Meter)
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- Posts: 157
- Joined: Tue Nov 08, 2005 7:33 am
- Primary DAW OS: MacOS
- Location: massachusetts
- Contact:
Thats harsh. maybe they should have sprung the extra cash to bring a real keyboard player on the tour.
Mac Pro 2.66, 3gig ram, HD192, 2408 mkII, DP 5.12, MTP AV, UAD-1 Studio Pak, Avalon 737, TLM 103, AEA R84, Great River MP2, Presonus M80, Roland xv5080, Pod Pro, EZdrummer, Ozone 3,
Many Lacie 160 gig external drives,
Many Lacie 160 gig external drives,
- donreynolds
- Posts: 1287
- Joined: Wed Nov 24, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Apollo Beach Florida
It show how professional that thy really are. It would have thrown many a band and they would have stopped and regrouped, but they went on just as if they were right on key, Very professional stage performance. I am sure they have had problems on stage before and "rolled with the punches"
I am sure it was embarrassing though.
I think probably many thought Eddie just screwed up because they did not know any better.
I am sure it was embarrassing though.
I think probably many thought Eddie just screwed up because they did not know any better.
DP 9, MacPro 2.93/8 core/22 Gb RAM. OS X 10.11.6, 13"Macbook PRO 2.66 Duo, OS 10.11.6 El Capitan, 2xWD 150gig Raptor x 2, x3 My Book Studio 1 & 2Tb drive x 2, DP 7.24, BLA/Motu 896 HD x 2, BLA microclock ll, Presonus Central Station, Waves Plat. V7 , Slate Everything, Melodyne studio, SSD 5, TruePianos, Scuffham S-Gear, Alpha Track, Event 20/20 bas, Adam A7, and other toys, Lotsa guitars, HeadRush GTR processor and a Korg Triton)