Simple, easy loudness metering?
Posted: Wed May 03, 2017 4:04 am
I work in DP every day but I don't have to deal with the loudness issue in my daily work, but my band has quit playing live and has become strictly a writing/recording project. We plan to release an album a year, give or take. I'm not looking for perfection but would like to be within modern specs as far as loudness for our releases.
I've tried to study up on the whole loudness issue. It gets very technical very quickly but I do understand the underlying principles. I'd like some easy to use metering plug or system that doesn't require a 200 page manual to understand and use. Is anything like that available for say, under $200? I really don't need 14 different screens of spectrographs I probably wouldn't understand, just something simple and straightforward. Any recommendations?
Related question: I see where the different music outlets have different loudness standards. Our last CD (which the mastering engineer completely butchered–another story) we had duplicated at Discmakers and for a reasonable fee they distributed the CD to the major music outlets–very easy and convenient and worth the money IMO. As far as Discmakers, I'm not sure what they are actually sending to these outlets or if the media outlets themselves are down-converting from WAV or whatever. So I'm curious how people are handling this. Should you master for all these individual outlets separately or is there an album (CD) standard that can translate reasonably well to all these outlets and their final resolution and loudness standards?
TIA,
Phil
I've tried to study up on the whole loudness issue. It gets very technical very quickly but I do understand the underlying principles. I'd like some easy to use metering plug or system that doesn't require a 200 page manual to understand and use. Is anything like that available for say, under $200? I really don't need 14 different screens of spectrographs I probably wouldn't understand, just something simple and straightforward. Any recommendations?
Related question: I see where the different music outlets have different loudness standards. Our last CD (which the mastering engineer completely butchered–another story) we had duplicated at Discmakers and for a reasonable fee they distributed the CD to the major music outlets–very easy and convenient and worth the money IMO. As far as Discmakers, I'm not sure what they are actually sending to these outlets or if the media outlets themselves are down-converting from WAV or whatever. So I'm curious how people are handling this. Should you master for all these individual outlets separately or is there an album (CD) standard that can translate reasonably well to all these outlets and their final resolution and loudness standards?
TIA,
Phil