Help with MOTU ultralite, cakewalk and external effects
Posted: Mon Sep 01, 2008 7:55 pm
Hello all,
I am trying to get an external reverb to work with my ultralite. I found some info on MOTU’s site about how to get it set up. I tried to follow it but it is not applying any effect. I am running on vista with Sonar 6 pro and the ultralite. I have the 3 out on the ultra going to the input on the effect and the out on the effect going to the 3 in on the ultra. I went into cuemix -bus 1 and set up the output to 3 / 4 and brought up the fader on the analog 1. I can hear the sound in the headphones (with no effect) The sound is recording-not quite loud enough- but it is recording. The signal is making it through to the effect box as I can see an input light but there is no effect that I can hear on the phones or on the recorded track.
I can see on the ultralite front screen input on 1 and 3 and output on 3 and 4. The input on 1 is the mic. The input on 3 must be from the effect but it isn’t being applied anywhere.
It seems like I am just recording the signal straight from the mic . How do I bring the effect into the loop??
Thanks!!
FYI-This is what I got from the MOTU site and I think I followed it correctly:
How do I use an external effects processor with Cuemix?
Cuemix DSP allows for the routing of any input to any output. This allows for easy integration of outboard effects. For instance, here is one way of utilizing Cuemix DSP technology with a reverb unit:
• Set your effects unit to have a 100% wetness/saturation.
• Take your effects unit and plug the output/send of the unit into an unused input, say, Analog 8 (Analog 7/8 if it has a stereo output).
• Pick an unused output on your MOTU interface, say, Analog 8, and plug it into the input/return of your effects unit.
• In Cuemix Console, create a bus that outputs out of Analog 7/8.
• Any input channel whose fader is up will output out of Analog 7 and 8.
• Be sure to hard pan your channel to the far right to have the maximum signal output.
• Analog 8 (or 7/8) will now have your wet signal.
• If you wish to record this, remember to record both your dry signal as well as your wet signal and blend both to get the balance of fundamental and ambience that you desire.
I am trying to get an external reverb to work with my ultralite. I found some info on MOTU’s site about how to get it set up. I tried to follow it but it is not applying any effect. I am running on vista with Sonar 6 pro and the ultralite. I have the 3 out on the ultra going to the input on the effect and the out on the effect going to the 3 in on the ultra. I went into cuemix -bus 1 and set up the output to 3 / 4 and brought up the fader on the analog 1. I can hear the sound in the headphones (with no effect) The sound is recording-not quite loud enough- but it is recording. The signal is making it through to the effect box as I can see an input light but there is no effect that I can hear on the phones or on the recorded track.
I can see on the ultralite front screen input on 1 and 3 and output on 3 and 4. The input on 1 is the mic. The input on 3 must be from the effect but it isn’t being applied anywhere.
It seems like I am just recording the signal straight from the mic . How do I bring the effect into the loop??
Thanks!!
FYI-This is what I got from the MOTU site and I think I followed it correctly:
How do I use an external effects processor with Cuemix?
Cuemix DSP allows for the routing of any input to any output. This allows for easy integration of outboard effects. For instance, here is one way of utilizing Cuemix DSP technology with a reverb unit:
• Set your effects unit to have a 100% wetness/saturation.
• Take your effects unit and plug the output/send of the unit into an unused input, say, Analog 8 (Analog 7/8 if it has a stereo output).
• Pick an unused output on your MOTU interface, say, Analog 8, and plug it into the input/return of your effects unit.
• In Cuemix Console, create a bus that outputs out of Analog 7/8.
• Any input channel whose fader is up will output out of Analog 7 and 8.
• Be sure to hard pan your channel to the far right to have the maximum signal output.
• Analog 8 (or 7/8) will now have your wet signal.
• If you wish to record this, remember to record both your dry signal as well as your wet signal and blend both to get the balance of fundamental and ambience that you desire.