Need some advise: use of patch & type of mic.cables
Posted: Mon May 19, 2008 5:48 am
Hello again dear Unicorners,
Thanks to some of your good suggestions (though I only quote one)
. . . I think treatment of airco and ventilation will be o.k. in a couple of days.
My next goal is to get a clear picture of how to get everything wired.
I met someone from a company named ghielmetti and asked him to send me a 48 panel pachtbay. My ideal situation would be to have the patch in a center of a starwired situation, meaning also that the mics would go directly to patch as this would be the situation for the pre-amps. The man from ghielmetti told me that this was a quitye common standard in the broadcasting world so there would be no problem at all. If this really does work a lot of problems would be solved before I even would start with my studio as the panel from ghielmetti can route everything to anywhere with every kind of signal (analog & digital) and cable.
Two questions:
1) I was thinking that you can't / should not connect the mic to something else than a pre-amp at first and that a connection between mic and patch could cause technical problems.
Can I start with this box without any of these concerns?
2) Which brand of cable do you advise?
As allways, thanks in advance.
Cheers,
pedwin
Thanks to some of your good suggestions (though I only quote one)
AudioDancer wrote:. . . The real key to quiet air changing (hot or cool) is LARGE amounts of air moving very slowly. That costs money...![]()
The idea of using flex duct is great -- you can locate your unit remote and create many turns w/ duct which will tend to 'kill' the sound vibes running in that duct. Remember to add good filtration...as James mentioned. "Dust Kills"
. . . I think treatment of airco and ventilation will be o.k. in a couple of days.
My next goal is to get a clear picture of how to get everything wired.
I met someone from a company named ghielmetti and asked him to send me a 48 panel pachtbay. My ideal situation would be to have the patch in a center of a starwired situation, meaning also that the mics would go directly to patch as this would be the situation for the pre-amps. The man from ghielmetti told me that this was a quitye common standard in the broadcasting world so there would be no problem at all. If this really does work a lot of problems would be solved before I even would start with my studio as the panel from ghielmetti can route everything to anywhere with every kind of signal (analog & digital) and cable.
Two questions:
1) I was thinking that you can't / should not connect the mic to something else than a pre-amp at first and that a connection between mic and patch could cause technical problems.


2) Which brand of cable do you advise?
As allways, thanks in advance.
Cheers,
pedwin