Except, what a ripoff! It should come free with every ream of paper! At least offer a crossgrade with every fountain pen nib!!zed wrote: And with that you have inspired what might be the ideal product name...
Electromatic

Moderator: James Steele
Except, what a ripoff! It should come free with every ream of paper! At least offer a crossgrade with every fountain pen nib!!zed wrote: And with that you have inspired what might be the ideal product name...
Electromatic
Just about anything will qualify. In my case, EXS-24 does it.zed wrote:kgdrum wrote:But having said that, I see that AudioMidi has crossgrade pricing for MachFive at $279, if you already own Kontakt or one of a few other eligible products.
I don't understand this. If you like what you see, why not be an "early adopter"? This is not hardware. Nor is it the new Mac OS which can really screw you up sometimes if you get in too early.williemyers wrote:fwiw, Arma, you're not alone out there. for a handful of reasons, I'm not on the "early adopter" list for this one...Armageddon wrote:... not to say DP 8 will be buggy -- obviously, I hope it's gonna be great! -- but I have a feeling my next upgrade will be to 9 ...
The only exception to that for me was when DP 6 (a dog, IMO) changed the Mas Audio Unit file so it was incompatible with DP 5 and unless you could recover that from your system folder (or have someone send you one) you were pretty much dead in the water - which I was for a little while.mikehalloran wrote:I have never had a new release of DP screw up my older versions.
Pricing and availability
Retail pricing, upgrade pricing, and availability for DP8 will be announced later, but if you purchased DP7 on January 19, 2012 or later, you can receive the DP8 upgrade at no charge.
Exactly. Discounting doesn't lead to loyalty.MIDI Life Crisis wrote:Besides, if you want a cheapo sampler, they're out there. Considering that an Ensoniq EPS used to run around $2-3k and did far less, I'd say M5 is quite a deal. But that's just me.
There's also a funny thing about pricing. Price too low and people don't think they getting their monies worth. Price higher and people often think they get what they pay for. In the case of MachFive, I think you do get what you pay for and a little more.
It's not so much what I'm seeing, as what I'm *not* seeing that raises concerns.mikehalloran wrote:I don't understand this. If you like what you see, why not be an "early adopter"?williemyers wrote:..for a handful of reasons, I'm not on the "early adopter" list for this one...
On this, we agree...mikehalloran wrote:If you don't think you have a use for the new features, fine, I wouldn't upgrade either.
Mike, my "annoyances" (all documented) go back to DP3 and some/most have never been addressed. No reason to think they will be in DP8. But hope springs eternal?!mikehalloran wrote:(DP)7 or 6 or 5 will still work for you while you're waiting for MOTU to fix whatever annoyances you have in 8.
I am with you on this; things have changed so fast.MIDI Life Crisis wrote:Besides, if you want a cheapo sampler, they're out there. Considering that an Ensoniq EPS used to run around $2-3k and did far less, I'd say M5 is quite a deal. But that's just me.
Well if it's any wonder to you the things still sell for $10k+ used. The DAC converters in them are top of the line even by todays standards, and from what I know there's one for each voice as opposed to a single unit. If I was rich I would probably own one, emulation only goes so far.twistedtom wrote: My wife’s cousin has a Synclaver and it ran over $100K when he got it and I bet it is nothing like what we have today.
I saw one first hand at two studios...massively expensive.Shooshie wrote:What could a Synclavier do that we can't do a thousand times over? And in a fraction of the time?
Is the $10,000 price tag more of an Antiques Road Show price?
Shoosh