I'm a big fan of Mach 5.3 (and all versions, for that matter). It's one of the most brilliant pieces of audio software that I've ever seen. I have often said that MOTU should bundle it with DP as an integral part of the application. They complete each other. The two together create a powerhouse DAW that would be hard to match.menright wrote:i've been using DP for a long time (when it was still just P) and my productivity exploded when I got MachFive and MX4. Particularly when MachFive 3 came out and everything got a lot easier. I've got a few other UVI instruments but I am very, very, happy with what I have.
When DP9 is released, we'll all get (free) MX4, so I guess I'll soon be playing with that. Someone mentioned that the currently bundled VIs in DP do not have advanced architecture, which limits wha you can do with them. Sidestepping the extended commentary I made earlier on that very subject (you can do a lot more than you think), the addition of MX4 will pretty much eliminate the claims that DP's bundled synths aren't up to snuff.
Meanwhile, if anyone wants to buy a couple great synths to add to their collection, I could not do better than to recommend Tassman 4 and Ultra Analog, both by AAS.
Rather than go crazy collecting all the synths out there, thinking that one will finally satisfy, I chose the path of using what's available as creatively as possible, then rounding it out with what I consider the finest instruments in the business. Mach 5.3, along with AAS's Tassman 4, and Ultra Analog VA2 provide you with an arsenal that IMO is unequaled. The company, Applied Acoustics Systems, also sells sound banks to go with some of their synths. These consist of presets. I don't own any, but I'm sure they are amazing, because the instruments are amazing. I prefer to roll my own, or use "post-sets" (presets modified by me).
Shooshie