I mastered 50 songs in DP for a Sony release. All the tracks were in the same sequence chunk, so it was easy to jump between songs to check relative level and tone. This also made it easy to get in/out spacing between the tunes. Worked fine for me...David Polich wrote: Second - I highly recommend that you master in a dedicated mastering program like BIAS Peak. You have more horsepower, more headroom, and more options in a dedicated mastering app. I would never master anything in DP, Logic, Pro Tools, or any DAW.
Here's the other thing - the goal in mastering a CD is to make sure all the tracks are balanced level-wise, and sound like they're all part of the same album. In Peak, you can do all your masters as 24-bit, then throw them all up together and "tile" them so they all appear on your screen at the same time. Then you can just randomly click on each track's window and it will play, and you can balance levels really easily this way. When you're done with your levels, you save each one as a dithered 16-bit audio file. You can't do this in DP.
Dave