Shooshie wrote: How the hell is selling your DAW for $40 or $120(?) not a legit business model, or based on piracy? Apple gives away Garageband virtually for free. These guys are growing a large user base, then they'll reel them in. There is nothing illegit about it. Phone companies give the cell phones away for free, then charge for the service. Nomad Factory Plugins just sold me about a year ago a collection of plugins for about $350 that normally would have sold for $2500. What does Waves think about that? They've been steadily lowering their prices, which were inflated like the Hindenburg to begin with.
The thing we don't like about C•••••' business model for R••••• is that it's working, and it's taking attention away from DP. You do not respond to that by yelling "Unfair! Unfair!" You respond by doing something that gets people on YOUR side. The handwriting is on the wall. It says "lower your prices. Get a mass of users dependent on you. Gently start squeezing them when they love you so much they don't care anymore."
Personally my opinion is that you don't really want to lower your prices too much, Apple could do that with Logic, well, because it's Apple? What I would like to see MOTU do is take a step away from the competition and actually make all it's internal pieces similar to full fledged stand alone apps: The score editing on par with Sibulus, the two track editor on par with Peak or DSP Quattro, the Beat Detection as easy to use and full featured as Recycle etc.
Basically do what IMO the Logic team should have done with Logic Studio, and make DP a fully self contained production environment. Not that it isn't already, but bragging rights are a good thing, and boasting that your internal features are comparable to stand lone Apps is pretty slick marketing technique IMO.
Sure a decent lowering of the price, to jab the other DAWs a bit, shave 25% or so, Knock it down to $300 and crossgrades to $200 and you'd get a lot of people, but only if new features were added, otherwise the perception is of a sinking ship.
Again, they should seriously think about a 30 day trial demo, I think of fast growing DAWs and it's either Logic because of Apples aggressive branding, or Live etc. that have unrestricted demo periods.
Plus some video walk throughs on their site. Quick Time animations or OK, but not enough, people want to see it in action, and it's take on the arrangement page is so unique among DAWs it's needed IMO.
Again, at least the option to view and edit MIDI data as objects like every other DAW out there. <-- My favorite vision of this is being able to assign a hot key to it, so MIDI data in the Sequence Editor for instance can be viewed classically or objectively at the press of a key command. The option to snap to grid MIDI data, though these two are more about winning converts from other DAWs.
I dunno? From what I can tell I'm the average age on this forum, mid forties, this is completely the opposite at the Ableton forums say, where I'm one of the older people there. I think a lot of people get upset (rightly so) about aggressive capitalism with sketchy ethics, but no one can preach about it like a middle aged man!With things changing all around us, radically, why wouldn't we expect there to be some change in the way DAWs and other pro-software are written and/or marketed? Why wouldn't we want to be at the forefront of it?
