This might sound like a silly question... Talking hardware taking a signal from a Mic:
Is it Amp ==> Compressor
or
Compressor ==> Amp
Amp => Compressor
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
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signal chain should be...
Mic --> Compressor/effects --> Amp --> Speakers
Mic --> Compressor/effects --> Amp --> Speakers
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ahh...details details!! 

60% Of the time...it works EVERYTIME!!
http://www.zara-music.com
http://www.soundclick.com/zara
http://www.soundclick.com/mattradlauer
http://www.zara-music.com
http://www.soundclick.com/zara
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- mhschmieder
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If you're miking the speaker cabinet, you're already getting some compression (or at least peak limiting) and probably will not need additional compression for that channel. I only use it on direct signals, and then only at mix-down time.
But if you are talking in terms of compression as a special effect, then it also depends on impedance matching and not just artistic decisions or logical flow, as not every compressor (whether a rack unit, stomp box, or plug-in) consistently assumes serial or parallel processing.
But if you are talking in terms of compression as a special effect, then it also depends on impedance matching and not just artistic decisions or logical flow, as not every compressor (whether a rack unit, stomp box, or plug-in) consistently assumes serial or parallel processing.