richhickey wrote:jloeb wrote:
No, this makes no sense to me at all. This is a discussion of an as-yet-unreleased version of DP, and it's exactly the type of topic that should be discussed here ("in house") at this time and in this thread.
Look, there are hundreds of things we want DP to do/fix, discussed at length in prior threads (as this has). Should all of those threads be regurgitated here? Where can we go to discuss what DP 10
is (i.e. not what we imagined it would/could be) if people are going to fill every thread with their favorite old diatribes?
DP 10 doesn't fix this, that's unfortunate. It doesn't include articulation support, that's also unfortunate. But that doesn't mean it's ok to start spewing multiple page-long messages in this thread about why it should. Lots of us are keen to discover what DP10 does, anything people might have seen at the show, release info etc. And post release, how people are getting on with it. There's a troubleshooting/criticism section for a reason, I presume.
Have to agree that this is is a subject that should be discussed here. Articulation support is a kind of bad comparison, since that's a
new feature that people want like MPE, it's still relevant, but it's not in the same category. Track automation behaves differently in DP than any other DAW, and it's not a good thing in most cases. There's a reason other DAWs do it differently.
After spending a lot of time messing around with this last night, I completely get what Toodammedhip and FMiguelez are on about. TDH mentioned it's not the same with MIDI automation, and in my experience that's true, MIDI automation doesn't ramp really. Track automation, which is never attached to MIDI data in DP is what ramps all over the place in DP when moved, copied etc.
Firing up Logic I see that Logic has two distinct (from what I can tell with the time I spent on it anyway), behaviors with track automation. It ties Track automation to the MIDI and ramps up or down 90º at the point of new automation data, but if you copy and paste or option drag automation outside of the object, it ramps like DP does.
Ableton Live does somewhat of what I think TDH and FM would be happy with, it ramps at 90º regardless of it being attached to the MIDI or not, so in DP's case where track automation is never attached to MIDI it would work. The caveat in Live seems to be it can't be option dragged to copy it though? It has to be copy pasted...
The behavior as it stands is mostly good for doing creative things with snapshot automation and ramping, but it's a nightmare of time suck, especially if automation goes in opposite directions, ramping wise in many cases. I haven't figured out what the method is that DP uses to determine which automation state is going to be given priority when you take a snapshot by selection? I'm betting there's logic to it, just didn't see it last night.
One behavior of track automation that's IMO almost completely useless is that it does not overwrite automation data that's already in an area that you drag new automation data to.
So old breakpoints that are not exactly where new breakpoints are do not get overwritten. I cannot think of a single time when this would be the wanted behavior?
I have to say this is one of those WTF things. and hopefully it gets addressed at some point. In the mean time I'm thinking about sticking with MIDI automation as much as I possibly can, just to avoid 90% of the hassle. Using track automation for only the final mix and not as a way to automate parameters in a mix during composition is a big let down though. I've been avoiding track automation during the composition phase anyway, mostly so I could use chunks with impunity hosting VSTi's in a V-Racks.
M2 Studio Ultra, RME Babyface FS, Slate Raven Mti2, NI SL88 MKII, Linnstrument, MPC Live II, Launchpad MK3. Hundreds of plug ins.