Hello,
Everything was recorded at 24/48. Now we want to put them on CD. What are the steps to do this. Convert the sample rate first, then the bit rate last? Right now we converted the bit rate first then the sample rate last and all of our CD's have a good deal of distortion and dullness.
Also, what should the burn speed be set at? We're using Toast 6.
Thanks!
Mastering 24/48 Project to CD--Need Help!
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
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- Posts: 10
- Joined: Tue Jan 04, 2005 10:01 pm
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Mastering 24/48 Project to CD--Need Help!
Desktop:
Quicksilver (800 MHz) G4
1.25 GB Ram
OS 10.3.9
DP 4.6 and 828 MKI
Laptop:
Powerbook (1.67 GHz) G4
1 GB Ram
OS 10.4.2
DP 4.6 and 828 MKI
Lot's of pedals and rack processors
Quicksilver (800 MHz) G4
1.25 GB Ram
OS 10.3.9
DP 4.6 and 828 MKI
Laptop:
Powerbook (1.67 GHz) G4
1 GB Ram
OS 10.4.2
DP 4.6 and 828 MKI
Lot's of pedals and rack processors
The best way is to use Spark and his Batch Convertor to create 16/44,1 audio.I have made a lot of A/B test for this kind of conversion.
You will loose some quality with Spark(with best quality mode and Ultra noise shaping)but not as much than with DP.Barbabatch(Audioease)is fine too,
but for everyone, the winner was Spark.
Now,if mastering is made digitally,the best is to use 24/88,2 format,just because it's a multiple of 44,1.
You will loose some quality with Spark(with best quality mode and Ultra noise shaping)but not as much than with DP.Barbabatch(Audioease)is fine too,
but for everyone, the winner was Spark.
Now,if mastering is made digitally,the best is to use 24/88,2 format,just because it's a multiple of 44,1.
G5 Dual 1,8;Motu 24 I/O & 1296;Ibook G3 900;Digi 002r;UA 6176;Langevin Dual Vocal Combo;Amek 9098 dual pre;Amek 9098 compressor;Amek DMCL ;Crookwood Paintpot dual pre;UA LA4.
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- Posts: 198
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There is another way
If you really want to keep the sparkle of your recording and don't have the funds to rent a DCS 972 or DB Tech. 3000 for digital conversion, do it analog. Record the analog out to a DAT or CD-RW at 16 bit 44.1 Just be sure the alignment is dead on. I don't trust DP or any other "semi pro" software or gear to do such complex math conversions. I DO all of my recording at 88.2 24bit and dither this down to 44.1/16 with excellent results in DP. Very easy math.
Cheers
Cheers

MacBook Pro FULL, 896HD, 828mkii, DP7... Just go to the web site and look at the pretty pictures ; )
I must respectfully disagree. While early conversion algorithms stunk, modern ones work great. Using a modern algorithm, such as Pow-r dithering can produce a 16-bit output which is much more accurate and true to the original 24-bit version than going out through a D-A and A-D external conversion process.
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