Thanks to some of your good suggestions (though I only quote one)
AudioDancer wrote:. . . The real key to quiet air changing (hot or cool) is LARGE amounts of air moving very slowly. That costs money...
The idea of using flex duct is great -- you can locate your unit remote and create many turns w/ duct which will tend to 'kill' the sound vibes running in that duct. Remember to add good filtration...as James mentioned. "Dust Kills"
. . . I think treatment of airco and ventilation will be o.k. in a couple of days.
My next goal is to get a clear picture of how to get everything wired.
I met someone from a company named ghielmetti and asked him to send me a 48 panel pachtbay. My ideal situation would be to have the patch in a center of a starwired situation, meaning also that the mics would go directly to patch as this would be the situation for the pre-amps. The man from ghielmetti told me that this was a quitye common standard in the broadcasting world so there would be no problem at all. If this really does work a lot of problems would be solved before I even would start with my studio as the panel from ghielmetti can route everything to anywhere with every kind of signal (analog & digital) and cable.
Two questions:
1) I was thinking that you can't / should not connect the mic to something else than a pre-amp at first and that a connection between mic and patch could cause technical problems.
Can I start with this box without any of these concerns?2) Which brand of cable do you advise?
As allways, thanks in advance.
Cheers,
pedwin
