Recording a jazz trombone
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Here's where to talk about preamps, cables, microphones, monitors, etc.
Here's where to talk about preamps, cables, microphones, monitors, etc.
- buzzsmith
- Posts: 3097
- Joined: Mon Dec 27, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Houston
- Contact:
Recording a jazz trombone
Hi, all...
Got a project coming up next month to record a jazz quartet featuring a trombonist.
I know from practical experience, that dynamics will be all over the place from a soft ballad to fff soloing on some tunes.
Also it's a trombone feature CD so I want to get the best sound I can with the bone. (He's also writing the check!)
Any mic placement (distance, angle) suggestions or type of mics?
(I've recorded horns many times, but usually as a section, or solo sax and flugelhorn)
I have 1 tube mic, a couple of mid-priced tube mic pres, but a number of other mics including 414's, Rode, etc.
I could even entertain the thought of renting something for this session.
Thanks!
Buzz
Got a project coming up next month to record a jazz quartet featuring a trombonist.
I know from practical experience, that dynamics will be all over the place from a soft ballad to fff soloing on some tunes.
Also it's a trombone feature CD so I want to get the best sound I can with the bone. (He's also writing the check!)
Any mic placement (distance, angle) suggestions or type of mics?
(I've recorded horns many times, but usually as a section, or solo sax and flugelhorn)
I have 1 tube mic, a couple of mid-priced tube mic pres, but a number of other mics including 414's, Rode, etc.
I could even entertain the thought of renting something for this session.
Thanks!
Buzz
Early 2009 Mac Pro 4,1>5,1 3.33 GHz Hex Core Intel Xeon OS X 10.8.5 SSD (32 gigs RAM)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
- KarlSutton
- Posts: 504
- Joined: Sat Jul 30, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: Mount Juliet, TN
- Contact:
- bkshepard
- Posts: 1094
- Joined: Sun Aug 14, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: Setúbal, Portugal
- Contact:
I third the suggestion of the Royer. Place it a couple of feet in front of the player and have them play slightly to the side of the mic (just a few degrees). Also experiment with distance to adjust the "in your face" quality. Good luck!
-Brian
Mac M1 Ultra 20-core, OS 14.6.1, 128 GB RAM, DP 11.3.2, UA Apollo x6
Mac M1 Ultra 20-core, OS 14.6.1, 128 GB RAM, DP 11.3.2, UA Apollo x6
- buzzsmith
- Posts: 3097
- Joined: Mon Dec 27, 2004 10:01 pm
- Primary DAW OS: MacOS
- Location: Houston
- Contact:
BradLyons wrote:I second Royer for all Brass instruments.....and well, so does Quincy
THE Quincy?
Thanks! I looked at Sweetwater's web site...which of the 6 or 7 mics would be the better choice?...and what other instruments (besides brass) might it excel at?...vocals, acoustic guitar, etc.?bkshepard wrote:I third the suggestion of the Royer. Place it a couple of feet in front of the player and have them play slightly to the side of the mic (just a few degrees). Also experiment with distance to adjust the "in your face" quality. Good luck!
Buzz
EDIT: Probably the R-121? ( and skip the 2nd part of the question above about other instruments unless you have some issues...I looked at the specs.)
Early 2009 Mac Pro 4,1>5,1 3.33 GHz Hex Core Intel Xeon OS X 10.8.5 SSD (32 gigs RAM)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
DP 9.51 PCI-424e / original 2408, 2408mkII, 24I/O, MTP-AV
Yamaha C7 Conservatory Grand
Hammond B-3 / Leslie 145
Focal Twin6 Be(s)
He means Quincy, the guy who works the Wendy's drive-thru in Fort Wayne. Guy's got a great ear, and demanded they put a Royer in the ordering kiosk. Of course, he demanded it of me, and I couldn't help him (I had a mouth full of fries).buzzsmith wrote:BradLyons wrote:I second Royer for all Brass instruments.....and well, so does Quincy
THE Quincy?
Okay, I don't know this to be a fact, but it sounds legit to me -- as I read it aloud.
Anyhoo --
Ribbon mics are good for brass. They can handle the SPL and they curb some of the bite and harshness off the sound
Last edited by chrispick on Fri Aug 03, 2007 12:43 pm, edited 1 time in total.
- BradLyons
- Posts: 2635
- Joined: Sun Oct 24, 2004 10:01 pm
- Primary DAW OS: Windows
- Location: Atlanta, GA
- Contact:
Quincy = Quincy Jones


As to other uses of Royer..... well, I am a big fan of Electric Guitar Cabinet use as are many engineers these days. In fact, Aerosmith used them live on-tour! I also use them live, they are wonderful for rejecting outside sound believe it or not. Here's a picture when I was in the studio with Ross Hogarth and Dusty Wakeman setting up on guitar cabs:


They also make an excellent vocal microphone, but it's not ideal on every voice however. They are excellent on the side of a snare drum and obviously, drum overheads. Heck, piano, percussion, you name it!

As to other uses of Royer..... well, I am a big fan of Electric Guitar Cabinet use as are many engineers these days. In fact, Aerosmith used them live on-tour! I also use them live, they are wonderful for rejecting outside sound believe it or not. Here's a picture when I was in the studio with Ross Hogarth and Dusty Wakeman setting up on guitar cabs:


They also make an excellent vocal microphone, but it's not ideal on every voice however. They are excellent on the side of a snare drum and obviously, drum overheads. Heck, piano, percussion, you name it!
Thank you,
Brad Lyons
db AUDIO & VIDEO
-Systems Advisor, CTS
Brad Lyons
db AUDIO & VIDEO
-Systems Advisor, CTS
- BradLyons
- Posts: 2635
- Joined: Sun Oct 24, 2004 10:01 pm
- Primary DAW OS: Windows
- Location: Atlanta, GA
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Since you asked what other instruments it might be good at? Here's a few clips of the R121 used on electric guitar cabinets (through a Presonus ADL600 tube pre):buzzsmith wrote:BradLyons wrote:I second Royer for all Brass instruments.....and well, so does Quincy
THE Quincy?Thanks! I looked at Sweetwater's web site...which of the 6 or 7 mics would be the better choice?...and what other instruments (besides brass) might it excel at?...vocals, acoustic guitar, etc.?bkshepard wrote:I third the suggestion of the Royer. Place it a couple of feet in front of the player and have them play slightly to the side of the mic (just a few degrees). Also experiment with distance to adjust the "in your face" quality. Good luck!
Buzz
EDIT: Probably the R-121? ( and skip the 2nd part of the question above about other instruments unless you have some issues...I looked at the specs.)
http://www.audioandmidi.com/media/audio ... 602_LP.wav
http://www.audioandmidi.com/media/audio ... P_Rock.wav
Thank you,
Brad Lyons
db AUDIO & VIDEO
-Systems Advisor, CTS
Brad Lyons
db AUDIO & VIDEO
-Systems Advisor, CTS