freaky headphone fun
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The forum for petitions, theoretical discussion, gripes, or other matters outside deemed outside the scope of helping users make optimal use of MOTU hardware and software. Posts in other forums may be moved here at the moderators discretion. No politics or religion!!
freaky headphone fun
Check out this audio clip and its spatial voodoo. Definitely listen through headphones. Speakers won't do it justice.
http://www.holophonic.ch/archivio/testa ... phonic.mp3
Whoa...
http://www.holophonic.ch/archivio/testa ... phonic.mp3
Whoa...
Last edited by chrispick on Fri Sep 29, 2006 6:12 pm, edited 1 time in total.
- npatton
- Posts: 653
- Joined: Wed Jun 15, 2005 10:01 pm
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- Location: Oregon
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Any ideas how that was made? I'm curious if it was a binaural recording, using microphones mounted in the ears of a technician. The way sound interacts with the shape and mass of our heads as it goes toward our ears (microphones) replicates the experience we have hearing every day, thus creating the illusion of 3D space.
I recently picked up a CD and DVD of a binaural recording done in Lincoln Cathedral in the UK. The performance was totally improvised over the space of an hour, and on the DVD you can see the technician walking around the cathedral to capture the sounds as they moved through the huge space. Hearing this performance on headphones is breathtaking, as it just about puts you there! A bonus feature on the DVD is an interview with Dallas Simpson, the recording technician, on how and why binaural works much better than stereo for achieving this effect.
(The performance was by Troy Donockley and Dave bainbridge, and is called "From Silence". Very ambient/Celtic/new age in it's sound, with pipes, whistles, synths and guitars. There are samples at Troy's website http://www.troydonockley.co.uk/discography.htm, but it seems to be down today for some reason.)
Very cool! Thanks for posting this!
n
I recently picked up a CD and DVD of a binaural recording done in Lincoln Cathedral in the UK. The performance was totally improvised over the space of an hour, and on the DVD you can see the technician walking around the cathedral to capture the sounds as they moved through the huge space. Hearing this performance on headphones is breathtaking, as it just about puts you there! A bonus feature on the DVD is an interview with Dallas Simpson, the recording technician, on how and why binaural works much better than stereo for achieving this effect.
(The performance was by Troy Donockley and Dave bainbridge, and is called "From Silence". Very ambient/Celtic/new age in it's sound, with pipes, whistles, synths and guitars. There are samples at Troy's website http://www.troydonockley.co.uk/discography.htm, but it seems to be down today for some reason.)
Very cool! Thanks for posting this!
n
Mac Pro (Late 2013) (3.5 GHz 6-Core Intel Xeon E5, 32 GB RAM) OS 10.13.6
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
It's holophonic sound. It's a binaural-like technique. Here's a definition:
http://itotd.com/articles/335/holophonic-sound/
http://itotd.com/articles/335/holophonic-sound/
- npatton
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- Joined: Wed Jun 15, 2005 10:01 pm
- Primary DAW OS: MacOS
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Thanks for the link, Chrispick! (Something new every day...) I'd love to hear more examples, if for no other reason than to have my mind messed with!
n
n
Mac Pro (Late 2013) (3.5 GHz 6-Core Intel Xeon E5, 32 GB RAM) OS 10.13.6
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
- npatton
- Posts: 653
- Joined: Wed Jun 15, 2005 10:01 pm
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- Location: Oregon
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Only the pdf threads.
Interestingly, I sent this to a friend of mine who runs a small studio here in town, and through his AKG headphones, he didn't get the full range of motion I did through my Sennheisers. He said the sound was "left and right, slightly above, below down to my shoulder and low behind my head. It never seemed to go in front or over the top of my head."
My ears felt it go all over the place. Interesting how different cans can affect the sound...
n
Interestingly, I sent this to a friend of mine who runs a small studio here in town, and through his AKG headphones, he didn't get the full range of motion I did through my Sennheisers. He said the sound was "left and right, slightly above, below down to my shoulder and low behind my head. It never seemed to go in front or over the top of my head."
My ears felt it go all over the place. Interesting how different cans can affect the sound...
n
Mac Pro (Late 2013) (3.5 GHz 6-Core Intel Xeon E5, 32 GB RAM) OS 10.13.6
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
MacBook Pro (2 GHz Intel Core i7, 8 gigs RAM); OSX10.11.6; DP 10.13; Unisyn 2.1.1; Stylus RMX; MOTU MIDI Express XT; MOTU 828x; Kurzweil PC3 with Kore 64; Roland XV-5050, D-50; Alesis QS7; Yamaha S90ES, TX-216; Hammond XK-3
----------------------------------
FWIW, my own music can be heard at...
http://www.neilpatton.net
http://http://www.pandora.com/neil-patton
Business Site: http://www.pattonmusic.com
- monkey man
- Posts: 13953
- Joined: Fri Apr 22, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: Melbourne, Australia
Re: freaky headphone fun
Thanks for the fun distraction, Pickster.chrispick wrote:Check out this audio clip and its spatial voodoo. Definitely listen through headphones. Speakers won't do it justice.
http://www.holophonic.ch/archivio/testa ... phonic.mp3
Whoa...
Usual story:
Everyone has some fun while the monkey downloads, and he hears the file about a week later when the thread's dead!
This time it'll be worth it, though.
Thanks again, C.
Mac 2012 12C Cheese Grater, OSX 10.13.6
MOTU DP8.07, MachFive 3.2.1, MIDI Express XT, 24I/O
Novation, Yamaha & Roland Synths, Guitar & Bass, Kemper Rack
Pretend I've placed your favourite quote here
- twistedtom
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- Location: Between Portland and Mt. Hood Oregon.
This is interesting; I have read about the ear shape and cavities of the head playing a role in sound but never listened to some thing like this. Remember the modeling synth? I think it was a Roland, it used models of vocal cavities to help emulate instruments.
This also reminds me of some of the studies on how prehistoric animals would hear and sound.
I just got the new Tool CD, the cover has a set of real 3d glasses on it so you can see the inside pages of the CD jacket in 3d, it is wild.
Question reality
This also reminds me of some of the studies on how prehistoric animals would hear and sound.
I just got the new Tool CD, the cover has a set of real 3d glasses on it so you can see the inside pages of the CD jacket in 3d, it is wild.
Question reality
Interesting--npatton wrote:Only the pdf threads.
Interestingly, I sent this to a friend of mine who runs a small studio here in town, and through his AKG headphones, he didn't get the full range of motion I did through my Sennheisers. He said the sound was "left and right, slightly above, below down to my shoulder and low behind my head. It never seemed to go in front or over the top of my head."
My ears felt it go all over the place. Interesting how different cans can affect the sound...
n
I got some sense of in front, but using a set of Sony V6s, I also found that most of the movement was coming from behind.
Too bad you can just turn the headphones around to make the sound come from the front!!
Now, where are my AKG's?
6,1 MacPro, 96GB RAM, macOS Monterey 12.7, macOS 10.14, DP9.52
- monkey man
- Posts: 13953
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- Location: Melbourne, Australia
Hey, fellas.
Surely the brand and model 'phones used in constructing this would play a vital role here?
Npatton's Sennheisers seem to do the trick.
Although I haven't yet heard the clip, I hope my HD-25-1s are up to the task.
I swear by them for a balanced, natural, "American Hi-Fi" (think old skool) sound.
Man, they're flat as a tack.
I remember borrowing 6 or 7 pairs of AKGs and Sennheisers, including 8-900 Aussie-dollar pairs.
One pair made Boston's toms sound like they had metal skins, and "Son of a Preacher-Man" had almost radical siblance!
880 Aussie dollars, thank you very much.
Well, for 520 Aussie dollars, the HD-25-1 was in a league of its own.
I was shocked at how people's tastes have strayed from the truth (judging by the market), and that hype can be sold for more in the name of "accuracy".
Well, you might get 'em to the point where you'll hear an inadvertantly-recorded (aren't they all?) ant fart in the studio accurately, but is this natural?
'Taint natural, I say.
PS: It's interesting to me that the most natural-sounding 'phones I could find happen to be the most painful to wear!
Anyone who has these would empathise, I'm sure; they leave my ears practically bruised!
Hopefully they lose their spring in time, or I can re-educate the plastic a little.
Still, I make the observation that the more hyped a model, the more "luxurious" comfort is likely.
Go 'Corners.
Surely the brand and model 'phones used in constructing this would play a vital role here?
Npatton's Sennheisers seem to do the trick.
Although I haven't yet heard the clip, I hope my HD-25-1s are up to the task.
I swear by them for a balanced, natural, "American Hi-Fi" (think old skool) sound.
Man, they're flat as a tack.
I remember borrowing 6 or 7 pairs of AKGs and Sennheisers, including 8-900 Aussie-dollar pairs.
One pair made Boston's toms sound like they had metal skins, and "Son of a Preacher-Man" had almost radical siblance!
880 Aussie dollars, thank you very much.
Well, for 520 Aussie dollars, the HD-25-1 was in a league of its own.
I was shocked at how people's tastes have strayed from the truth (judging by the market), and that hype can be sold for more in the name of "accuracy".
Well, you might get 'em to the point where you'll hear an inadvertantly-recorded (aren't they all?) ant fart in the studio accurately, but is this natural?
'Taint natural, I say.
PS: It's interesting to me that the most natural-sounding 'phones I could find happen to be the most painful to wear!
Anyone who has these would empathise, I'm sure; they leave my ears practically bruised!
Hopefully they lose their spring in time, or I can re-educate the plastic a little.
Still, I make the observation that the more hyped a model, the more "luxurious" comfort is likely.
Go 'Corners.
Mac 2012 12C Cheese Grater, OSX 10.13.6
MOTU DP8.07, MachFive 3.2.1, MIDI Express XT, 24I/O
Novation, Yamaha & Roland Synths, Guitar & Bass, Kemper Rack
Pretend I've placed your favourite quote here
- twistedtom
- Posts: 4415
- Joined: Tue Nov 02, 2004 10:01 pm
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- Location: Between Portland and Mt. Hood Oregon.
The sound travels around and up and down. Mostly I haer it behind. It travels the same on my Sony MDR-7506's as my AKG K-44. have not tried my other head phones have to much to do gota go.
Mac Pro 2.8G 8 core,16G ram, 500GB SSD, 2x2TB HD.s 3TB HD, Extn Backup HDs,Nvd 8800 & ATI 5770 video cards,DP8 on OS 10.6.8 and OS 10.8; MOTU 424PCIe, MOTU 2408; Micro express. Video editing deck on firewire, a bunch of plug-ins and VI's.Including; MX3 and M5-3. FCP, Adobe Production Bundle CS6. PCM88mx, some vintage synths linked by MIDI. Mackie 16-4 is my main mixers
, kelsey and Yamaha mixers, Rack of gear. Guitars, piano, PA and more stuff.
, kelsey and Yamaha mixers, Rack of gear. Guitars, piano, PA and more stuff.
- MIDI Life Crisis
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Re: freaky headphone fun
Cool stuff. Great on my Bose noise cancellation headphones. I did a little recording in 1988 for a biophonic demo. They recorded with the mics on the styo head of a dummy (not me, thank you!). At one point they placed the head in thepiano strings while I did my imitation of George Crumb. Very nice results, but a dead end in terms of marketing.chrispick wrote:Check out this audio clip and its spatial voodoo. Definitely listen through headphones. Speakers won't do it justice.
http://www.holophonic.ch/archivio/testa ... phonic.mp3
Whoa...
I sometimes get a similar effect with the "wide stereo" setting on my somewhat modest TV systems. Not sure how that happens either, but I would certainly pay good $$$ to get a plug-in for DP that would do that, especially with a joy stick controller. Working in a theater with 10+ speakers and stereo channels comes close, but even then, if you don't mix in the space, the results are not always what you expect. We did a project like that in 1990 for a production of Faust Parts I & I (in a single evening). Having withes fly over the audience and giant dogs panting in a circle around the audience. That really is a lot of fun.
So who is going to develope this plug in? I think I'll mention it the SoundHack guy (Tom Erbe). He's local and I owe him a message...
Thanks for the interesting diversion.