lamboguy wrote:For the $$, SI is amazing.
As for the ranges, if I need a note outside a given range I just use a pitchbend for that note or passage
Cheers,
Fred
Also, note that there are often other instrument choices that provide the increased range. For example, Oboe 1 only goes up to C, but Oboe 2 goes up to E above that. From there, you can get to F or F# with the pitch bend. Yeah, it sucks to run a 2nd oboe just for one or two notes, and it sucks more to use pitch bend for the highest note, but it still is a workable workaround. Same for Trumpet and many other instruments.
Although I certainly acknowledge MSI's shortcomings, I'm not as critical of it as some around here are. I find it to be very useful, and extremely good for the cost. Instruments that sound and work better cost generally a lot more.
I'm quite pleased with it, and I've been enjoying making music. I do wish more attention was paid to details like ranges and attacks. The clarinet sounds are almost unusable for any but slow passages because of the attacks in the lower registers. Forget any 16th note passages. All the clarinets are like that in MSI. Very unfortunate. The player was doing a slow articulation, thinking of the sustained sound, not the attack.
Looking forward to hearing more people's examples. Let's let the music do the talking for us, ok?
Shooshie
PS: yeah, I know... Post something, Shooshie. Ok... I will. In time.