Like Armageddon, I haven't needed blank bars since going 100 percent VI. Since I mostly do orchestral realizations that begin life in a notation program, it's very convenient to have the DP bar numbers match the score - there's a lot of looking back and forth to see what the %^&* I meant. (I hadn't thought of the negative-number pickup bar, but it hasn't been an issue.)
--Mark Arnest
Do you still dedicate the first measure to CC# etc?
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This forum is for most discussion related to the use and optimization of Digital Performer [MacOS] and plug-ins as well as tips and techniques. It is NOT for troubleshooting technical issues, complaints, feature requests, or "Comparative DAW 101."
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Re: Do you still dedicate the first measure to CC# etc?
Kubi - I like what you are describing. So should I assume that you are first finding the score gap points and then calculating tempo to the end of the first cue spot, writing the first theme, then as you said, using the gap to make any needed major tempo changes to put you at the next correct start point? Are you using DPs Find Tempo in small incremental searches then? (As opposed to over say a full 20 minute reel)
Or perhaps you can provide us with a little step by step of your film work protocol?
Thanks for your insights
Or perhaps you can provide us with a little step by step of your film work protocol?
Thanks for your insights
AMPGUI themes - Andy rocks!, 3 macs, MacPro 768GB ram, 16core OS11.7.10, DP11.31, all Waves, all SLATE, PSP, IK multimedia & Audioease plugs, all PAlliance, Softube, tons of NI VI's all air Spitfire, all Audiobro, all Berlin, EW PLAY, LLizard, MachFive3, Kontakt5, Omnisphere, RMX, LASS, all Soundtoys, Lexicon AU's, melodyne and others I know am forgetting, cause I'm old...Also mucho outboard rigs, MTPs, DTP, antelope WC, and 4 control surfaces with Raven.