Increase the volume of your mixes up to 5 times!
Moderator: James Steele
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This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
This forum is for seeking solutions to technical problems involving Digital Performer and/or plug-ins on MacOS, as well as feature requests, criticisms, comparison to other DAWs.
Increase the volume of your mixes up to 5 times!
Use the MW Limiter!
Sorry James, I couldn't help it...
Please don't ban me!
Dave
Sorry James, I couldn't help it...
Please don't ban me!
Dave
- James Steele
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Very funny Dave... hahaha... I thought I was going to have to delete this on my daily spam run. I do it every morning but the natives around here can't resist making quips in reply.
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- kelldammit
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but is it still selling if we all already HAVE it?James Steele wrote:Very funny Dave... hahaha... I thought I was going to have to delete this on my daily spam run. I do it every morning but the natives around here can't resist making quips in reply.
and so as not to prove james a liar...
magic dave,
only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?
Feed the children! Preferably to starving wild animals.
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- polysoundman
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Yes, fade outs without dynamics can be tricky. They have to be done very quickly. Pulling the power cord out of the computer is one way to acheive this.kelldammit wrote:only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?
To get your mix 15X louder, all you have to do is start the mix 15X softer.
To get the mix 20X louder, do it 10X twice.
The best solution that I've found for removing dynamic range in music is to modify your ears so the dynamic range is actually gone from your hearing. Apparently this is a common technique and involves iPods and very loud earbuds. As far as I know this was originally pioneered by Pete Townshend.
Dave
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Dave is really the guy in Spinal Tap with the amp that goes to 11.magicd wrote:Yes, fade outs without dynamics can be tricky. They have to be done very quickly. Pulling the power cord out of the computer is one way to acheive this.kelldammit wrote:only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?
To get your mix 15X louder, all you have to do is start the mix 15X softer.
To get the mix 20X louder, do it 10X twice.
The best solution that I've found for removing dynamic range in music is to modify your ears so the dynamic range is actually gone from your hearing. Apparently this is a common technique and involves iPods and very loud earbuds. As far as I know this was originally pioneered by Pete Townshend.
Dave
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I heard from a reliable source, well Monkey Man, that Beethoven actually composed the intro to Baba O'Reilly, but shelved it because he didn't have any synths handy at the time, or it might have been he didn't have electricity to run the synths, having failed to pay his utility bills.TheHopiWay wrote:Townsend?
He did nothing that wasn't pioneered by Beethoven.
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Beethoven?TheHopiWay wrote:Townsend?
He did nothing that wasn't pioneered by Beethoven.
He did nothing that wasn't pioneered by....
Oh, never mind.
Phil
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- emulatorloo
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Re: Increase the volume of your mixes up to 5 times!
Will I gain "phatness" as well?magicd wrote:Increase the volume of your mixes up to 5 times!
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- davedempsey
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- midilance
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Actually, I've tried a newer technique. MW Limiter for the leaf blower. Add the MW EQ and get more like a chainsaw.polysoundman wrote:i like pushing up the volume of my mixes till they sound like a leaf blower....
wes
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- vier-personen
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yeah, and it only didn‘t get released because they didn‘t have the MW limiter back then... right?magicd wrote:You copped that from George Martin!!midilance wrote: Add the MW EQ and get more like a chainsaw.
It's a little known fact that Sir George produced the Plasmatics greatest unreleased record. Wendy O with the London Philharmonic and chainsaws.
Dave
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