Increase the volume of your mixes up to 5 times!

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magicd
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Increase the volume of your mixes up to 5 times!

Post by magicd »

Use the MW Limiter!








Sorry James, I couldn't help it...

Please don't ban me! :lol:

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jarok
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Post by jarok »

All right.

:lol:
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Post by James Steele »

Very funny Dave... hahaha... I thought I was going to have to delete this on my daily spam run. I do it every morning but the natives around here can't resist making quips in reply.
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Post by kelldammit »

James Steele wrote:Very funny Dave... hahaha... I thought I was going to have to delete this on my daily spam run. I do it every morning but the natives around here can't resist making quips in reply.
but is it still selling if we all already HAVE it?

and so as not to prove james a liar...
magic dave,
only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?


:D
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Post by polysoundman »

i like pushing up the volume of my mixes till they sound like a leaf blower....

wes
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Post by magicd »

kelldammit wrote:only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?
Yes, fade outs without dynamics can be tricky. They have to be done very quickly. Pulling the power cord out of the computer is one way to acheive this.

To get your mix 15X louder, all you have to do is start the mix 15X softer.
To get the mix 20X louder, do it 10X twice.

The best solution that I've found for removing dynamic range in music is to modify your ears so the dynamic range is actually gone from your hearing. Apparently this is a common technique and involves iPods and very loud earbuds. As far as I know this was originally pioneered by Pete Townshend.

Dave
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Post by TheHopiWay »

Townsend? :roll:

He did nothing that wasn't pioneered by Beethoven.
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billf
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Post by billf »

magicd wrote:
kelldammit wrote:only 5 times louder? hmmm. i'm not sure that'll be quite enough. can i use it in series, and get 15-20x louder?
i think that dynamics are far too distracting to the average listener. wide dynamic range allows the concentration to drift to...say, the actual music or lyrics, rather than remaining focused on the sheer volume, where it should be. so, to simply things, my next project will only have one dynamic level (loud as $&#*).
so far, the project's coming along nicely, but i'm having a time with the fade-out. i'm suspecting dp is culprit there...any tips?
Yes, fade outs without dynamics can be tricky. They have to be done very quickly. Pulling the power cord out of the computer is one way to acheive this.

To get your mix 15X louder, all you have to do is start the mix 15X softer.
To get the mix 20X louder, do it 10X twice.

The best solution that I've found for removing dynamic range in music is to modify your ears so the dynamic range is actually gone from your hearing. Apparently this is a common technique and involves iPods and very loud earbuds. As far as I know this was originally pioneered by Pete Townshend.

Dave
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Post by billf »

TheHopiWay wrote:Townsend? :roll:

He did nothing that wasn't pioneered by Beethoven.
I heard from a reliable source, well Monkey Man, that Beethoven actually composed the intro to Baba O'Reilly, but shelved it because he didn't have any synths handy at the time, or it might have been he didn't have electricity to run the synths, having failed to pay his utility bills. 8)
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Post by Phil O »

TheHopiWay wrote:Townsend? :roll:

He did nothing that wasn't pioneered by Beethoven.
Beethoven? :roll:

He did nothing that wasn't pioneered by....

Oh, never mind.


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Re: Increase the volume of your mixes up to 5 times!

Post by emulatorloo »

magicd wrote:Increase the volume of your mixes up to 5 times!
Will I gain "phatness" as well?

:lol:

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Post by davedempsey »

I'm currently working on a fully extended dance-floor mix with total phatness and typing this with a pencil held firmly in my teeth. If I also increase the volume of my mix with MW Limiter, will this constitute a tripping risk?
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Post by midilance »

polysoundman wrote:i like pushing up the volume of my mixes till they sound like a leaf blower....

wes
Actually, I've tried a newer technique. MW Limiter for the leaf blower. Add the MW EQ and get more like a chainsaw.
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Post by magicd »

midilance wrote: Add the MW EQ and get more like a chainsaw.
You copped that from George Martin!!

It's a little known fact that Sir George produced the Plasmatics greatest unreleased record. Wendy O with the London Philharmonic and chainsaws.

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Post by vier-personen »

magicd wrote:
midilance wrote: Add the MW EQ and get more like a chainsaw.
You copped that from George Martin!!

It's a little known fact that Sir George produced the Plasmatics greatest unreleased record. Wendy O with the London Philharmonic and chainsaws.

Dave
yeah, and it only didn‘t get released because they didn‘t have the MW limiter back then... right?
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