![happy :rofl:](./images/smilies/rofl.gif)
![happy :rofl:](./images/smilies/rofl.gif)
![happy :rofl:](./images/smilies/rofl.gif)
![happy :rofl:](./images/smilies/rofl.gif)
![happy :rofl:](./images/smilies/rofl.gif)
![happy :rofl:](./images/smilies/rofl.gif)
http://www.liveleak.com/view?i=1a4_1416061046
Moderator: James Steele
!!! I've spent a lot on guitars. I could get that sound with a cardboard cutout????mikehalloran wrote:It would have sounded no different had the stage instrument been a cardboard cutout.
Sure, just as easily as he got that sound out of a nylon stringed guitar. I liked the part where his fingers hit three different positions while the note made a half step bend up. Latency doesn't account for the mismatch, either.bayswater wrote:!!! I've spent a lot on guitars. I could get that sound with a cardboard cutout????mikehalloran wrote:It would have sounded no different had the stage instrument been a cardboard cutout.
I totally agree, Jim. Of course different strings means different tensions, for same gauges.Gravity Jim wrote:Most flats exhibit pretty high string tension [...]
Understood. These are Pyramid medium flat wound, and it looks like the intonation adjustment will take it right the limit of the bridge adjustment. I haven't used flatwounds for a long time, except on bass, and I doubt I will again. Thinking back, when I used them a long time ago, I probably used slack string tuning.daniel.sneed wrote:I totally agree, Jim. Of course different strings means different tensions, for same gauges.Gravity Jim wrote:Most flats exhibit pretty high string tension [...]
Remebre, some instrument tweaking may be required as soon as you change your string type or string brand.
James Steele wrote:Hahaha... can you say backing tracks? I bet the guitar player did not want to have to do that at all but was pushed into it and had to make the best of it. Saw this a while back and posted to my Facebook, which was good for a chuckle. Even most non-musicians can figure out what's wrong there.