Well, to point out what I thought was obvious, my post was 100% in jest. It just seemed appropriate at the moment.
And I don't know if I was one of the people who said there is no junk music back when Tom posted his topic, but I really do believe that there is junk music and rubbish, and that some of it does make the mainstream in any category. There's a difference between imitative and copy-cat, or between complexity and complicated, or between exploratory and academic. But I also believe that if something really turns you on, it doesn't matter what I think. That's your taste and your business. I don't always go after the music that's considered to be among the "standards."
As I write this, I'm listening to
Herbie Hancock on a 1987 broadcast of "Piano Jazz" with Marian McPartland. It's just amazing to my ears, and hard to imagine how it could be otherwise to anyone, but I know there are some for whom jazz is not their cup of tea. Prior to that, I was listening to Van Cliburn playing Rachmaninoff concerto #2, and Rubinstein playing the same thing. Mind blowing, all of it. But I had a professor who thought Rachmaninoff was the Kenny G of classical music (no offense to Kenny G fans; he's just caught a lot of negative comments from jazz players). He believed that Rachmaninoff and those who played his music were the downfall of music everywhere. Of course... his kind (my professor) are an extreme minority, thank goodness.
Stravinsky wrote his share of junk (a small share, to be sure). But we forgive him, because he also wrote stuff of extreme genius. The point being that anyone is capable of junk music. It doesn't mean that "junk" is a blanket judgment of the composer, performer or group. Sometimes repeated listening brings out some element of sophistication previously not understood, but probably more often it just remains what it was to begin with.
That's some of my junk opinions, so take it all with a grain of salt, as I attempted to do with my first post (the one in jest).
Shoosh