The Film Scoring Challenge: Logic vs. Digital Performer

Digital Perfomer in the context of television/film scoring and post-production.

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Dan Worley
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The Film Scoring Challenge: Logic vs. Digital Performer

Post by Dan Worley »

Chris Fitzgerald of Seawolf Studios does a great job presenting this. I found it fascinating to watch someone work in DP in a way completely different from what I do each day.

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Phil O
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Re: The Film Scoring Challenge: Logic vs. Digital Performer

Post by Phil O »

Thanks for posting this, Dan. I don't have time right now to watch the whole thing but I'll be coming back to it later. I may download it and sync the audio up to the video before I watch. That's annoying as hell. And what does he mean, "There's no such thing as .976 frames?" I understand the problems with 23.976, but that doesn't mean 23.976 is not a real number. So he's off to a bad start with me, but I'll give it a watch at some point anyway. Thanks again.

Phil
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bayswater
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Re: The Film Scoring Challenge: Logic vs. Digital Performer

Post by bayswater »

After watching that, you have to wonder why you would use Logic for this purpose. (Other than the price of Logic.)

A question: in this particular demo, what was the point of the tempo calculations? The audio he pasted in was a fixed length already timed to match the scene in the movie. Shouldn't he have used MIDI for the music to better demonstrate the point?
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corbo-billy
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Re: The Film Scoring Challenge: Logic vs. Digital Performer

Post by corbo-billy »

Many thanks for the explanation about the Streamer proved untranslatable into french : it thus serves as a visual marker of a Marker with a movie ?
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