If you mean disable input monitoring, yep, as simple as that.How would I ensure I don't hear the latency-delayed live signal as well, HC? Would it be as simple as switching off the little blue IM button?
AVB vs. CUEMIX. Upgrade Question
Moderator: James Steele
Forum rules
This forum is for most discussion related to the use and optimization of Digital Performer [MacOS] and plug-ins as well as tips and techniques. It is NOT for troubleshooting technical issues, complaints, feature requests, or "Comparative DAW 101."
This forum is for most discussion related to the use and optimization of Digital Performer [MacOS] and plug-ins as well as tips and techniques. It is NOT for troubleshooting technical issues, complaints, feature requests, or "Comparative DAW 101."
-
HCMarkus
- Posts: 9749
- Joined: Tue Jan 10, 2006 9:01 am
- Primary DAW OS: MacOS
- Location: Rancho Bohemia, California
- Contact:
Re: AVB vs. CUEMIX. Upgrade Question
-
monkey man
- Posts: 13933
- Joined: Fri Apr 22, 2005 10:01 pm
- Primary DAW OS: MacOS
- Location: Melbourne, Australia
Re: AVB vs. CUEMIX. Upgrade Question
Woohoo!
Thank you, Brother Sir Markus Esq.
Thank you, Brother Sir Markus Esq.
Mac 2012 12C Cheese Grater, OSX 10.13.6
MOTU DP8.07, MachFive 3.2.1, MIDI Express XT, 24I/O
Novation, Yamaha & Roland Synths, Guitar & Bass, Kemper Rack
Pretend I've placed your favourite quote here
Re: AVB vs. CUEMIX. Upgrade Question
My main concern is getting a really nice headphone mix to the live musicians in the Tracking Room.
I'm noticing the dry signal coming from CUEMIX (the direct live inputs) are fairly ... bland.
I usually track pretty flat with no compression/eq/etc.
Thats why i was interested in the AVB systems to be able to "sub mix" via the AVB DSP with verb/compression/eq that only gets heard by the musicians tracking.
Rarely do I punch in, but when I do, I have to route the existing Take to an Output that leads to the headphone CUE. A little painstaking but I do it anyway.
Anyone use the new AVB for studio work (versus LIVE shows?)
I'm noticing the dry signal coming from CUEMIX (the direct live inputs) are fairly ... bland.
I usually track pretty flat with no compression/eq/etc.
Thats why i was interested in the AVB systems to be able to "sub mix" via the AVB DSP with verb/compression/eq that only gets heard by the musicians tracking.
Rarely do I punch in, but when I do, I have to route the existing Take to an Output that leads to the headphone CUE. A little painstaking but I do it anyway.
Anyone use the new AVB for studio work (versus LIVE shows?)
Dual Quad-Core 2.8 GHz Mac Pro 3,1 • Yosemite • 24 GB RAM • MOTU 2408mk3 (x's 2) • DP 10.xx • Finale 25 • Logic • PT 12 • +outboard gear