This is probably not news to most of you, but this little trick worked well for me so I thought I'd share just in case.
I was tracking guitar and had mic'ed two separate cabinets with different mics with the intention of mixing them together to create a composite sound. The result was not quite what I was hoping for. Mixing the two sounds did not sound better than one of the two tracks by itself.
So, I applied the MOTU precision delay to one of the mic'ed tracks and used it to gradually change the phase relationship between the two tracks - not to try to perfectly align their phase, but instead as a way of EQ'ing the composite sound. As you change the phase you get this kind of complex comb filter which can give you some interesting results. In my case I was able to get a pretty aggressive guitar sound that was better than either individual track and sat in the rough mix nicely without needing much additional EQ.
This was the first time I used this plug and it was really simple and effective. It's analogous to changing relative mic positions.
This technique could also work well when trying to combine a mic'ed track with a direct track run through an amp sim.
Happy tracking!
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MOTU Precision delay used as a comb filter
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This forum is for most discussion related to the use and optimization of Digital Performer [MacOS] and plug-ins as well as tips and techniques. It is NOT for troubleshooting technical issues, complaints, feature requests, or "Comparative DAW 101."
This forum is for most discussion related to the use and optimization of Digital Performer [MacOS] and plug-ins as well as tips and techniques. It is NOT for troubleshooting technical issues, complaints, feature requests, or "Comparative DAW 101."
MOTU Precision delay used as a comb filter
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