Hi Guys
I am struggling trying to get my sub working with the above setup.
Is it possible using OSX Sierra to route clean system audio out of outputs 1+2 and the same signal out of 3+4 but use CueMix to HPF to feed out to a SUB ?
I hope that is clear. is the issue that CueMix is only for routing external signals and not internal ?
Cheers
Matt
CueMix ULmk3 Sub
Moderator: James Steele
Forum rules
Discussion related to installation, configuration and use of MOTU hardware such as MIDI interfaces, audio interfaces, etc. for Mac OSX
Discussion related to installation, configuration and use of MOTU hardware such as MIDI interfaces, audio interfaces, etc. for Mac OSX
CueMix ULmk3 Sub
Last edited by topaz on Thu Aug 31, 2017 12:22 pm, edited 1 time in total.
- mikehalloran
- Posts: 15134
- Joined: Sun Jan 25, 2009 5:08 pm
- Primary DAW OS: MacOS
- Location: Sillie Con Valley
Re: CuneMix ULmk3 Sub
Most of us would not do it that way. Not sure what you mean by
There is more than one way to set things up. A little more info will help find the ideal solution.
What is your setup? What monitors and sub are you using?use CueMix to HPF to feed out to a SUB
There is more than one way to set things up. A little more info will help find the ideal solution.
DP 11.31; 828mkII FW, micro lite, M4, MTP/AV USB Firmware 2.0.1
2023 Mac Studio M2 8TB, 192GB RAM, OS Sonoma 14.4, USB4 8TB external, M-Audio AIR 192|14, Mackie ProFxv3 6/10/12; 2012 MBPs Catalina, Mojave
IK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5.2, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 Pro, Toast 20 Pro
2023 Mac Studio M2 8TB, 192GB RAM, OS Sonoma 14.4, USB4 8TB external, M-Audio AIR 192|14, Mackie ProFxv3 6/10/12; 2012 MBPs Catalina, Mojave
IK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5.2, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 Pro, Toast 20 Pro
Re: CueMix ULmk3 Sub
Cheers Mike
I have Mk3 FW, Mac Pro
Equator D5's and an old event S-100 Sub, it only has unbalanced rca (and way too noisy)
It also has a mono Input, what I wondered is if I can output a stereo pair to my monitors
with ie channel 3 also on the stereo out but filtered with Cue Mix.
so System/Daw audio out into 1+2 (filtered 53hz) the sub mono out 1+2 filtered above 54hz.
I hope that is more clear ?
I have Mk3 FW, Mac Pro
Equator D5's and an old event S-100 Sub, it only has unbalanced rca (and way too noisy)
It also has a mono Input, what I wondered is if I can output a stereo pair to my monitors
with ie channel 3 also on the stereo out but filtered with Cue Mix.
so System/Daw audio out into 1+2 (filtered 53hz) the sub mono out 1+2 filtered above 54hz.
I hope that is more clear ?
- mikehalloran
- Posts: 15134
- Joined: Sun Jan 25, 2009 5:08 pm
- Primary DAW OS: MacOS
- Location: Sillie Con Valley
Re: CueMix ULmk3 Sub
Make it easy. The D5s don't have the low end for it to be a real issue unless you are cranking them really loud. The Event sub has a built in low pass at 120. I would run both as is. Careful placement of the sub will make it sound great. I never used a crossover with my D5s and my JBL subwoofer (the JBL has a switchable crossover — I ran mine at 120Hz).
Ted and I have had long talks about this over the years. He considers the ideal crossover is 80Hz for the D5. I don't disagree but 1/3 octave higher can still sound quite good and give you mixes you can trust. 53Hz is way too low.
I have an extremely noisy studio electrically due to 1960 non-grounded wiring and being in the middle of the silicon valley. Unbalanced in/out can be made to work by using balanced cables and terminating them mono. It's not theoretical in my room—the proper cables make a noticeable difference in noise levels that anyone can hear.
Ted and I have had long talks about this over the years. He considers the ideal crossover is 80Hz for the D5. I don't disagree but 1/3 octave higher can still sound quite good and give you mixes you can trust. 53Hz is way too low.
I have an extremely noisy studio electrically due to 1960 non-grounded wiring and being in the middle of the silicon valley. Unbalanced in/out can be made to work by using balanced cables and terminating them mono. It's not theoretical in my room—the proper cables make a noticeable difference in noise levels that anyone can hear.
DP 11.31; 828mkII FW, micro lite, M4, MTP/AV USB Firmware 2.0.1
2023 Mac Studio M2 8TB, 192GB RAM, OS Sonoma 14.4, USB4 8TB external, M-Audio AIR 192|14, Mackie ProFxv3 6/10/12; 2012 MBPs Catalina, Mojave
IK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5.2, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 Pro, Toast 20 Pro
2023 Mac Studio M2 8TB, 192GB RAM, OS Sonoma 14.4, USB4 8TB external, M-Audio AIR 192|14, Mackie ProFxv3 6/10/12; 2012 MBPs Catalina, Mojave
IK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5.2, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 Pro, Toast 20 Pro