Didn't Mozart have to compete with temp scores? [FACE WITH TEARS OF JOY]
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Temp music is killing me!
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Discussions about composing, arranging, orchestration, songwriting, theory and the art of creating music in all forms from orchestral film scores to pop/rock.
Discussions about composing, arranging, orchestration, songwriting, theory and the art of creating music in all forms from orchestral film scores to pop/rock.
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Re: Temp music is killing me!
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Re: Temp music is killing me!
Yes, he did. He kept them in his head.Martini Hill wrote:Didn't Mozart have to compete with temp scores? [FACE WITH TEARS OF JOY]
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Re: Temp music is killing me!
Finally listened to the Alex North opening score. Too busy, unfocused, quickly "dated" sounding, not really evocative of mystery, expanse, time, or anything else. Almost like a TV show (e.g. Doctor Who, except that show had good music back in the day).
Although "Also sprach.." is my least favourite piece from Richard Strauss (a composer who I admire greatly), and I tend to detest Viennese waltzes, it does seem that those pieces evoked properly what the film was trying to convey. And this is coming from someone who dislikes the film and especially Stanley Kubrick (except for "Strangelove", but Peter Sellers could "sell" any film).
Although "Also sprach.." is my least favourite piece from Richard Strauss (a composer who I admire greatly), and I tend to detest Viennese waltzes, it does seem that those pieces evoked properly what the film was trying to convey. And this is coming from someone who dislikes the film and especially Stanley Kubrick (except for "Strangelove", but Peter Sellers could "sell" any film).
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Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35
Select Strat, 70th Anniversary Esquire, Johhny Marr Jaguar, 57 LP, Danelectro 12
Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1
Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH