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Point of trivia that may or may not be helpful: if you have more than one Master Fader track, the one that appears leftmost in the Mixer takes priority. This can be helpful in situations where you my have high latency plugins on the Master Fader, but want lower latency for tracking. Create another ...

Thanks so much FMiguelez.. I really appreciate your kind help According to my notes, it works nicely. It does take a little time to setup and figure out at first, but it's a nice worth little trick. They also read that I got quite side-tacked by playing with a linear phase EQ and polarity-inverted t...

I spoke too early….my apologies…. it’s not ‘perfectly clear’ to me at all… actually it’s still quite a mindbender FMiguelez’s point about a sort of reverse ducking is a challenge to me. … trying to have the Main Vocal rise together with the Music ….….or when the music is soft the vocal reduces level...

That's a great idea, and I was trying to find a setting that would do that. I would increase the release time, but that only delayed the moment that it would return to zero... not the rate at which it did. After a while of trying to do that with release time, it becomes apparent that there's also t...

Just to follow up.... it seems we need to use an AVB switcher ... pretty sure now that it's not possible with a direct connection MOTU Discovery looks for 'MOTU AVB devices'... which the S3 is not... and Avid states that an AVB switch is required So there it is... I will update if/when we make progr...

Hi there I'm trying to connect a PT session which uses the Avid S3 desk in Studio B to my MOTU 16A in Studio A via AVB MOTU Discovery doesn't see it and I don't know how to advise my colleague about how to set it up correctly there... I believe I should be able to get this working... Shouldn't Disco...

There is an old issue with plug-ins that affected a MacOS and it involved having an iPhone. Apple resolved it quickly but it affected a few people around here. Since I was one of those who wasn’t affected, I don’t remember any of the details nor even how to search for those old threads but somebody...

Also the AUs in DPs plug-in manager have no alphabetical list order as I can see...

Hi Michael Yes.... just to be clear I don't know that DP is actually re-scanning the VST and VST3 folders after bootup.... it's just that that is what it feels like because of the very long time it takes to complete .... I really have no idea what DP is actually doing for all that time Also the VST3...

Hi I have also been very frustrated with the first DP start after computer bootup…. VST and VST3 loads drag on and on ….At one stage it was up to almost 10 minutes to get DP started!!… However, as others mentioned, the problem effectively disappears when starting DP after that It felt like all the V...

Hi James Have a look at https://www.iconnectivity.com I've had an iConnectMIDI4+ for about 5 years... great piece of kit .... it is a hardware MIDI interface unit that lets you share old-school outboard MIDI synth modules and keyboards etc (on DIN plugs) as well as modern USB hardware synths, betwee...

Hi Frank This tip is thanks to bleach30 … I think he says it all here: https://www.motunation.com/forum/viewtopic.php?p=574465#p574465 It really is a great tip for easily and efficiently controlling the wiper playback position … in the SE, TO, MIDI editor windows. Try it… I’m confident it will put a...

Hi Frank Yes you’re right. Responders to this post have explained, essentially, that DP has alternative method(s) for getting back to the last wiper start position…using Memory Cycle…. But that does not work exactly in the way he hopes for…..He says that LP’s functionality is what he is hoping DP ca...

Yes you can use Memory Cycle using F1 to set the current wiper position as the Memory Start … and then use Keyboard numbers 7, 8, 9 and - to turn on/off the Cycle Memory (7)…to turn on/off the Memory Rewind (8) …. turn on/off the Memory Stop (9) which is set with F2 at wiper position….. or loop the ...

Forgive me But I think you want to use the Comp tool on just one track ...with separate takes The Comp tool 'compiles' the best bits from all the takes in a track into one new ...compiled.. track You can't Comp across different tracks .... you Comp 'takes' inside one track Use Command keys to work e...