MOTUnation.com

Thanks!

Tried searching this and just got overwhelmed. I've just gotten back in to recording and I have a live band who needs separate headphone mixes. I can't recall how to set that up. Using DP10 w/ MOTO 2408 mk3. I have a headphone mixer Behringer power play pro too. However, all I can seem to do is send...

I use radial. Reamping soft synth through out board gear shouldnt be a problem but why?

I dont have the freedom to mix with a comp on the master.

Mainly because if the mix is the best i can do, why not let the ME do the comping?

I mean...if i add an ssl comp to the master...itll sound "better", but wouldnt the killer gear that..say...vestman has + ears be much better?

That's correct about the master. I had a reverb on a the master for one song and I had to move it to an actual aux to get it to print.

Thanks for the input. I'm not a ME and I've always spent cash on local "mastering" to be done and I was a little worried about going out of my area. I actually have everything set up to go. I had the drums going to an aux with their effects like you said and then did the bass, vocals to th...

Also, I am curious to know if anybody has tried mastering with separations before. I guess you would need to use DP for that vs a program like Peak.

Has anybody used this mastering house or is anybody familiar with it?

http://johnvestman.com/

How does the crossgrade work?

Does it disable Bias Peak?

Oh. No work n G5.

How do you activate?

It's spring 'o clock somewhere!

Izotope gui makes me feel like im playing halo or dead space.

Scumbag is harsh but I know what you mean. I upgraded and never saw the extra multi-track software they promised.

Aside from audio editing I used Peak a lot for Sample Rate Conversion.

I had a ton of faith in their converter and now I don't know who would fill that shoe.