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Just saw this in coming to read about DP 11.2 I don’t really have anything new to report. As I said, once stretch is enabled, those tracks will respond to tempo changes. The question is, what actually happens when there are tempo changes in DP that were there prior to printing audio and remain after...

Will do. Thanks for your input!

So I revisited the Stretch tutorial and here’s what’s interesting: When it comes to using the stretch feature for editing, the demos all have consistent tempos. The demo of using Stretch to change tempos is on imported audio. So those two uses have been kept separate even as far as demonstrating the...

Well, you've basically identified the crux of the matter. I've never deliberately setup a scenario where tempo changes change the rate of audio playback either . The problem is (unless I'm mistaken - but don't think so) you are automatically/unintentionally put in that setup once you enable Stretch ...

I hear you. And I think you’re exactly right in your suggestions. This particular situation seems to require the stretch feature as it’s superior to quantization to rectify it. It’s all string samples so you play with several areas of the audio to adjust the constant behavioral changes in what is es...

Thank you for responding. Your solutions make sense and I have thought of similar approaches. I suppose what I was ultimately asking is if it’s possible to avoid a lot of work arounds. I have considered making cuts and then just bouncing the stretched sections onto their own new tracks and leaving t...

To start at the end of the question: STRETCH [in Audio] when enabled responds to tempo changes. Meaning that if you have it enabled on three tracks out of twenty: they will respond while the others won’t - correct? My problem is that I’m only using Stretch to fix a few sloppy rhythmic things, not an...

Ok got it. I did use to do that (or something similar in disabling individual instruments with power button) until I got hip to the optimize feature in both VEP and and Kontakt. It kicks out all the sample and then “learns” whatever samples are used. Once I upped to 64 gigs ram it wasn’t an issue al...

Thanks for the tips. I did my simple test and it worked fine. My main reason in deleting projects I'm not using is to reduce the number of tabs in VEP. So I'm not looking around to find something because I have so many tabs to gloss over. When I do run a big VSL project/instance I use the optimize f...

No. VEP can't run like a VI in DP like a multi instrument instance of Kontakt. By definition VEP runs outside DP, or any DAW. Yes, sorry for the confusion. I think I conflated VE with Kontakt et. al., because there’s always the option of running everything *hosted in VE* inside of DP - including Vi...

You’re right. I’m using it in server mode. Is there a way to run it inside DP? I may be thinking of Vienna Instrument. Apologies for the confusion. I may have morphed the idea of Kontakt running inside of DP or outside in VEP. That’s probably it.

Thanks so much for taking the time and showing so many available options. I’m not actually using VRacks but connecting to VE sitting outside DP. That way I can quickly change sequences while leaving the 40 odd gig template in VEP parked without having to reload - for {say} film work. I used to use V...

I think you understand except that I’m running VE Pro outside of DP. I think my problem is two-fold because I need to unload projects in VEP occasionally: so the question is that even if I don’t delete the plugin within DP (which preserves all my MIDI/audio assignments) but DO delete a project in VE...

I have this problem at regular intervals and wondering if there's a way around it. I run VE Pro 6 outside of DP. Normally VEP hosts VSL Winds or other projects but sometimes I will delete entire projects if I don't need them. I keep the MIDI and audio assignments in DP however (but delete the VSL in...

Wow thanks. Had no idea. I should have thought to consider that but I haven’t assigned a key to a shortcut for decades. Appreciate your quick response!

Dave